Audience

All posts tagged Audience

On the difference between critics and beta readers.

Published September 12, 2019 by mandileighbean

I know I announced last week that my blog would be updated every Wednesday, but in light of what yesterday was – the eighteenth anniversary of September 11th, 2001 – it seemed in really poor taste to try and peddle my poetry and blog post when minds and hearts should really be focused on the anniversary of the day that changed everything. I’m humbled and completely knocked off my axis when I think about the enormity of that day, from the tragedy to the heroics to its function as a clear and distinct demarcation between a world that was and a world that is.

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So this week, I update on Thursday.

And this week, I’ve been thinking a lot about critics. I was fortunate to see “IT Chapter 2” the night it premiered with Dad and I LOVED the film (and this marks the second time a trip to the movies to see a film based on a work by Stephen King has brought Dad and I closer). It was brutal in its violence and in its tragedy, but it was also beautiful and refreshing in the way it honored the essence of King’s original story. That novel has always held a special place in my heart. Forgive me if I’ve shared this experience before, but I can vividly remember where I was when I read the last page of the novel: I was in my parents’ old van on my way to my twin sister’s softball game at our high school. It was uncomfortably crisp outside, so Mom and my little brother and me were all waiting in the van until my twin sister got up to bat. I was stretched out along the backseat and I was sobbing. I was crying hard enough to cause my mom to turn around and try and comfort me in her unique, no-nonsense way. She said to me, “Mandi, you know those aren’t real people.”

And I laughed, but what I really wanted to do was launch into an impassioned, breathless declaration about the heartbreaking genius of it. I wanted to tell her that it was all real and true in the sense that to be brave, loving, and selfless adults, people need to stay the faithful, simple, and vulnerable children they started out as. And that life is all about connecting deeply with others and staying true to those connections no matter the peril. And I wanted to tell her I was so moved because I belonged to no such club, not even one for Losers. I felt no cosmic kinship with anyone and were I to face a demonic, child-eating clown in a damp and filthy sewer, I’d have no one to call. I realize now that last bit is not entirely true – and never was – but it felt true at fifteen.

So when I read reviews by people who had seen the film and criticized it for not being scary or for being too long, it annoyed me because I wanted to assume they just “didn’t get it,” like I could degrade them into people less intelligent and less empathetic and less open-minded than me. I felt the same way after I saw “Once Upon a Time … in Hollywood.” I was almost offended that people in the theater weren’t as enthralled as I was, that they weren’t blown away by the gorgeous cinematography and the originality in creating a modern fairy tale.

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I had to stop myself. I had to remind myself that art is for everyone, first and foremost, and that everyone is entitled to their opinion. And my enjoyment of a film (or album or novel or whatever) should not be diminished or lessened by someone else’s displeasure. I was turning into the very thing I hated: a critic. Sometimes it seems to me that critics purposely dislike what is popular just to preserve an elitist status and perpetuate the notion that critics knows something the rest of us don’t. And maybe that elitism works both ways, in the sense that those that rally against critics (myself included) do so in defense of the “general” viewer (or listener or reader or whatever). Separating the “casual” imbiber of art from the learned intellectual critic serves both sides because with sides, someone can always be right and someone can always be wrong.

But that’s not the purpose of art or entertainment, is it?

Do what you like with critics, but that doesn’t mean a writer shouldn’t get opinions about her work. Writers should have a couple of trusted, honest beta readers (like critics in a milder, more individualized form) that can help them hone their craft. I have two, but am looking for a third. I am looking for a passionate reader to read my works-in-progress and share their opinion on the work.

Anyone interested? Comment here.

Until next time, friends ❤

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On personally defining success and nostalgia.

Published November 17, 2013 by mandileighbean

This week was exciting as far as my blossoming writing career goes.  I had an author event on Thursday, November 14th at Ocean County College in Toms River, New Jersey.  The event was sponsored and essentially put together by the Literature Club, specifically because of Sara Pease, who is a former student of mine and a simply wonderful human being.  There were about twenty people in attendance, most of whom were attentive and asked the best questions I have had the privilege of answering.  I was able to sell seven books and talk to some truly interesting and supportive young adults.  It was a wonderful experience and it made returning to work on Friday SO HARD.

Last night, which was Saturday, November 16th, I was able to occupy a vendor table at Ladies’ Night Out at the Manchester Firehouse in Manchester, New Jersey.  I sold five books and was able to engage in highly entertaining conversations with fellow vendors.  I shared my table with D.O.V.E., which is an organization that helps to empower female victims of violence.  It was a serendipitous pairing, considering the content of Her Beautiful Monster.  It was a great evening, and I was truly humbled by my friends Heather, Ali, Kasey, Melanie, Marie and Jenna who showed up and have done so at every available opportunity.  Though I only sold a total of twelve books and minimally increased my audience, everyone has to start somewhere and these experiences helped to confirm for me that I need to be a writer.  It is a goal I need to work harder towards, because it helps to me to feel fulfilled, complete, and just plain happy.  In the following months, my goal is to be interviewed by a newspaper that serves a large population (like the Asbury Park Press) and send queries to agents, who would also help in marketing.  Speaking of marketing, my friend Kalie invited me to attend an event with her on Wednesday that provides ideas for marketing in viral markets and on social media sites (I believe).  She brought up the important point that networking is key.

Wish me luck, and enjoy this week’s writing prompt.  🙂

WEEKLY WRITING PROMPT #6: “I rubbed my thumb across her cheek and, buddy, I thought I was going to cry.”

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I am a sad, silly and lonely girl.  I imagine a woman would be wiser and stronger, and refrain from indulging in simple fantasies she plans on forcing to be recurrent.  The latest is this: graduation night will be a beautiful night near the latter part of June.  The moon will be full and bright and hanging high in the sky.  Its beauty will be lost on me, unfortunately, because I’ll be inside the high school, dutifully stationed at my classroom door.  I’ll be stuck handing out official, important-looking, white, large envelopes to the robed miscreants, academics, athletes, everyone in between.  The envelopes will contain various certificates and documents that become so much useless paper in lieu of graduation itself, and of all the accompanying promises and freedom and optimism intangibly included therein.  As such, students will not be rushing to obtain the envelopes and will have to be reminded and redirected several times by the faculty members in attendance.  Blue and gold robes will whip and ripple around sneakers and outrageous heels, slapping and clicking respectively through the hallways as sloppy hugs, final goodbyes, and well-wishes are doled out.  As it grows late, the number of students whirling about in flurries of excitement lessens considerably and the building borders on being empty and desolate and lonely.

 

I will sigh and fall back against the classroom door, keeping the door open while lazily allowing the door made of composite wood to support my weight rather than my understandably aching feet.  I pray I will have lost the weight and that my skin will be clear, or at the very least, clearer than it is now.  I’ll be observing the few remaining students and faculty members milling about, a mere observer whose mind is one million miles away, on to the next silly fantasy as the last thousand never ever came to fruition.  Someone will approach from behind, out of my view, to unintentionally capitalize upon the element of surprise.  He will gently clear his throat and simultaneously become unexpectedly and wildly unsure of himself.  To release the building nervous energy, he will shove his hands deep into the front pockets of his worn jeans, covered in orange-colored dust from fascinating roads less traveled in America, so that his calloused fingertips (worked to the bone, strumming guitars and banjos, gripping the wheel too tightly) bend against the fabric of the lining.  He’ll gently clear his throat, embellishing the strong and solid muscles of his masculine neck and jaw, and say, “Hey Andrea.”

 

Startled from my reverie, my closest and most constant companion, I’ll turn quickly but it’ll feel like slow motion, like trying to move fast in a dream, once my eyes take in his image and my brain comprehends who is standing there.  I am certain I will feel fifteen.  Breathless and deliciously confused, I’ll smile and lamely offer, “Hey.”  In a moment or so, I’ll (hopefully) come back to myself and break out with a radiant (well, as radiant as a smile can be when it’s caged by braces) smile and ask how he’s been.  I’ll already have some idea courtesy of creeping on Facebook and the gossip of mutual acquaintances.  I’ll know he’s been living a bohemian life I’ve always dreamed of, that he’s braver and more wonderful than my adolescent self had ever even dreamed of, even though he had been my schoolgirl obsession for years.  He won’t go into all of that, though.  He’ll keep it politely simple and appropriately simple and only say that he’s been good and doing well.  He’ll ask me how I’ve been and I’ll answer in an extremely similar fashion, lifting my upturned palms as a sort of half-hearted shrug and to indicate how absolutely bizarre it can be to work in the same high school we graduated from.  He’ll smile and let his gaze fall to the floor beneath us, seemingly perfectly content to stew in the impending awkward silence.

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I, on the other hand, have never been so suave or comfortable in my own skin, nor will I ever be.  I’ll need to smash it, to break it, so I’ll do what I never wanted to and bring up the past in all its embarrassing nostalgia.  How could I not, given the present company, our history, and current setting?  I believe he’ll only laugh and shrug it off.  His cheeks will color slightly, resulting from excessive, juvenile flattery and perhaps guilt stemming from the playground torture and adolescent cruelty he inflicted upon me.  Indeed, his grin will ultimately fade and his eyes will rise to meet mine.  His face, so uniquely handsome and so simultaneously beautiful in its stoic sorrow from many troubles and burdens I only ever guessed at among whispering girlfriends, will be set.  He’ll ask, “Do you remember what I wrote in your yearbook?”

 

Shock and nausea will be my immediate response.  My mouth will go dry and I’ll choke and sputter when I ask, “Do you?”

 

He’ll smile, but it will be so muted that I will doubt its authenticity.  “Of course I do!  I didn’t write it lightly.”  There will be a gut-wrenching pause to allow the tears to gather and prick at my eyes.  “I’m sorry,” he’ll say.  “And I didn’t ignore the e-mail you sent me, either.  I’ve just been busy and then I thought –“

 

“Stop,” I’ll command and demand.  “You don’t have to, you really don’t have to.  It’s whatever; I mean, it is what it is, and I don’t know why I sent that message.  Did it completely creep you out?  I’m sorry.”

 

Kindly, he will smile and say, “No, it didn’t creep me out, not at all.”  Another awkward silence will descend and though I will positively squirm, screaming inner, secret prayers for it to end or for me to just die, he will be graceful and effortless in his charm when he says, “You look good.”

 

My face will flush and I will find a spot on the floor incredibly interesting suddenly, and concentrate my gaze there.  It will be in an attempt at being coy and feminine and flirty, but I will be too chicken shit to meet his gaze, so I will be unable to determine its effectiveness.  The lack of eye contact will by no means be a lack of attention.  He will undoubtedly captivate me and rob me of my breath, the way he always did and, most likely, always will.  Grinning, I’ll thank him for the compliment and eagerly return it in a fashion more embarrassing than charming or even sincere.  He’ll nod his head in a charming, gentleman’s way.  “Thank you,” he will say with a slight Southern drawl he never had before that I will suspect him of faking for the moment.  After all, I won’t feel so guilty or so lame if him and I are nothing more than a couple of liars.

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The inability to know what to say next will become unbearable for the both of us.  He’ll hurriedly mumble that it was good seeing me, that it was good to catch up, and he’ll hope to see me around, and then he’ll be gone.  Nothing ever really changes, not even within my precious illusions and foolish fantasies.  But, I’ll shut my eyes tight and envision him somewhere down the line, embellishing the encounter more so than I’ve done in creating it.  He’ll tell of an imagined conversation which lasts and lasts until we’re actually asked to leave by the custodial staff.  He’ll say I suggested moving the conversation to a local, popular restaurant where we stay until we are again asked to leave.  We’ll say our goodbyes beneath unforgiving fluorescent lights in an empty parking lot.  I smile when I think of how he’ll lie and tell his attentive listener that he reached out to touch my face and I yielded completely to the touch, a victim of parting and sweet sorrow and all that ancient, literary jazz.  He’ll say, “I rubbed my thumb across her cheek and, buddy, I thought I was going to cry.”

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