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On Andrew McCarthy and being un-pretty in any color.

Published December 26, 2012 by mandileighbean

The world was supposed to end on Friday, December 21st. However, I am proud to report that I am still here, along with the rest of the world. Actually, aside from the raging winds knocking the basketball hoop in the driveway onto my car (which cracked the windshield and prevented me from entering the vehicle on the driver side) and an increased police presence at work, Friday was awesome. The days leading up to this posting were also quite awesome; I spent Christmas in Virginia with my nephews and now I am in The Sunshine State – vacationing in Florida. Though I traveled close to eighteen hours from home, I could not escape the fears and insecurities which essentially plague me.
I am slightly terrified that I am more skilled at picking up and impressing women than I am with the opposite sex. It makes me feel like a loser and terribly lonely. Last night, I went to the more prestigious branch of the Ocean County library to listen to Andrew McCarthy speak about his book, and to have him sign it, and get a picture. I was really dressed up in a red, lace number, complete with black stockings and black high heels. I curled my hair and rouged my lips and made sure my eyes looked smoky in varying shades of lilac, lavender, violet and purple. I thought I looked seductive, mysterious or, at the very least, pretty. When I walked into the library, no one seemed too impressed though. I didn’t see any heads turning to watch me pass and no one struck up a conversation even though I was clearly flying solo and obviously unattached.
I slid into an uncomfortable, plastic chair at the end of an aisle that was near the center of the large, dimly lit room. It did give the place a certain ambiance and that set my mind reeling with romantic, optimistic possibilities. I turned to the woman beside me. She was older than I was, with red hair and small eyes. About her was a decidedly academic and impressive air. I asked her if she would mind if I put my bag on the seat between us and she politely replied that no, she wouldn’t mind and that it would certainly be all right. An awkward sort of silence descended, as if both of us were waiting for the conversation to continue but neither of us really wanted to bear the weight of that responsibility. Eventually, I bit the bullet and asked her if she read a lot and that question and the resulting threads of conversation carried us to the start of the program. I learned that she was also an aspiring writer, but spending hours alone in a locked room putting words onto paper did not really appeal to her; she freely admitted to being a herd animal and to being dependent upon human interaction. I commiserated and confessed that I was turning into a writer recluse myself, and supposed that could either explain or rationalize my chatty behavior of the evening.
The conversation was cut short as an older, chubby, and balding man came to the podium with his chest puffed out, as if he believed the small audience assembled before him were just as interested in him as they were in Mr. McCarthy. He cracked a few mildly funny jokes and then introduced the man of the hour. I watched him climb onto the stage with baited breath and slight trepidation not because I was starstruck, but because I was nervous. What if he was completely narcissistic? What if he spoke at length about Hollywood and acting and did not even mention writing or his process? Or worse, what if he attempted to discuss the craft of writing and it became painfully clear that he had no idea what the hell he was talking about?
Refreshingly, none of my fears came true. He did talk about himself, but that’s the nature of the beast, isn’t it? The book is a memoir and he is a celebrity- are they not more inclined to be something of an attention whore? After all, if one is a writer, an actor, a painter, a musician or any kind of artist, one is constantly demanding to be noticed because creations are parts of the artist himself, some pieces more personal than others. However, the key for any artist, in my humble opinion, is to strike a healthy balance, which McCarthy did. He spoke of how he came to be an actor, of how he came to be a writer, about his character flaws and insecurities, of his family both past and present, and of his tastes. He confessed to being a huge Springsteen fan and mentioned that the song “Badlands” is especially important to him and holds a special, significant meaning for him. Clearly, I only fell more and more in love with this romantic hero from my younger years.
He stated a couple of ideas which struck me and will stick with me for some time, I believe. He mentioned that he sucked at journaling and that he found his entires to be self-indulgent and repetitive; I couldn’t agree more. He talked about how traveling allayed his fears and as he traveled, he wrote to keep himself grounded; that inspired me to take my iPad along on the family trip to Florida this year. He also made up my mind- I will travel to Ireland, England and France. McCarthy was genuine, honest and authentic. He is who he is and did not apologize. He wanted to do things and he did them; he did not plan, he was just passionate and pursued those impassioned ideas, goals, aspirations. McCarthy also said that the aforementioned passion was what moviegoers and fans responded to, that there was something in his eyes that confirmed he was right where he was supposed to be doing what he was supposed to do. According to McCarthy, that something was pure, unbridled joy because he felt at home in the world and, perhaps more importantly, in his own skin. I truly enjoyed myself.
The lights came up and there was a question and answer session. Some zealous, older woman asked about three questions and talked as he talked, talked over him even. I raised my hand, but he did not call on me, so I did not raise my hand again. That was cowardice and I mentally berated myself in my seat. We rose to form a line in the short, wide hallway where a table was set up and piled high with copies of his book. While waiting, the woman I had spoken with earlier resumed conversation. She agreed to snap a picture of me with McCarthy, though declined having the favor return – she confessed that she never gets her picture taken with people because she finds the whole process uncomfortable. We spoke about writing again, as well as brief snippets of our personal lives. She is currently unemployed and has previously worked in a pharmacy. She’s been married for a year and lives in Manahawkin. When it comes to writing, she’s having trouble getting started and developing a plot. We agreed to exchange e-mail addresses as both of us would like to widen our writing circle.
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Then came the moment of truth; I met Andrew McCarthy. He took his book from me, said hello and asked how I was. He asked who the book was for, and I told him it was for me, and that my name was Mandi with an ‘i.’ Quickly, with a light laugh, I added, “Don’t judge me.” McCarthy put down the marker, stopped what he was doing, turned to me, looked at me, and laughed. I made him laugh. I entertained him. That has to count for something, right?
Having thusly roused a chuckle from a teen idol, I was feeling pretty damn good and special and unique and all that jazz when I drove down to Atlantic City to see my oldest friends. I love them all so, so, so much because no matter what happens, we can all get together and make each other smile. We smile about the good times and joke about the rough times and it is perfect. I was having a wonderful Friday night … until we went to the club.
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I know I have been gaining back the weight that I lost, and I know that my teeth need to be straightened and whitened, but I have never been as aware of my flaws as I was that night, watching prettier girls become the centers of attention in assigned, miniature melodramas. No one approached me. Well, that’s not entirely true; when Heidi was being wooed, the possible interest had his friend chat me up to keep me busy. I saw through this ruse and called the friend out on it. This seemed to impress him, believe it or not. He said he never had a girl call him out like that before and in turn, he called me out for feeling superior to the whole scene. He was right, but that did not repel him and we kept talking and I was actually having a nice time, but I kept pushing him away with both my words and body language. I figured that since we both knew he wasn’t romantically interested, the whole thing could be over and done with and I could then avoid feeling lonely, lame and like I was the biggest loser in the universe. My persistence in insisting made him feel bad, I think, because he went to the bathroom and never came back. I was expecting as much – had encouraged him to do as much – but it still stung. All my confidence from earlier fled and I wanted to leave. I wanted to go home and cry in my room and watch “Pretty in Pink” and forget the whole thing ever happened. It’s ironic, isn’t it, because here I am, memorializing the whole incident via the internet.
McCarthy talked a lot about insecurity and about how crucial it is to shed that fear. I think he’s right, but I also think to shed the fear and to become the master of insecurity, one needs certain tools. Emotionally and mentally, I feel that I am a catch – that I will care and love someone in unfathomable amounts and be loyal and true – but physically I know I leave a lot to be desired. McCarthy also talked a lot about paradoxes and I believe there is power in paradoxes and contradictions and that is what people gravitate to. Whitman said, “Do I contradict myself? Very well, then I contradict myself. I am large; I contain multitudes” (forgive me if that was not an entirely accurate quotation). I know that I am a walking contradiction and that I am positively filled with paradoxes, but that does not make for someone guys want to grind against for a night in a sweaty, smoky club. The true, swift kick in the ass is that I don’t even want to be THAT girl until I’m in the club, and I’m so clearly the only girl who doesn’t want to be that girl. I preach and pontificate about being true and genuine and cling proudly to my self-proclaimed title of “woman of substance,” but then I find myself near tears, desperate to suddenly assimilate.
I can’t be the only one, right?
This upcoming year, the year of 2013, I am going to fix the things I don’t like about myself so that I can become more attractive, appealing and well-rounded. It is not just about getting the attention of males – though it is certainly a factor and I admit that freely because The Boss says it don’t matter what nobody say, ain’t nobody like to be alone – it is about getting the exterior to match the interior. I want to be beautiful inside and out. That being said, I would also like another crack at McCarthy. I would love to meet him again, hand him a copy of my book, tell him how great I really think he is, and snap another photo in which both of us are beautiful.
Wish me luck.

On trying to inspire.

Published April 24, 2012 by mandileighbean

I stayed for an hour after school today with two young women from the section of creative writing I am teaching.  We discussed their works, their methods and what their goals were for the rest of the year.  I believe I helped the girls, and the other day, another student said I was the type of teacher that could change a student’s life, that I was supportive and motivational.  Though my goal is to be a writer, teaching and thereby touching lives is not a bad way to make a living.

After school, family came over for a couple of hours and my schedule was wrecked.  I didn’t get a chance to write, but I thought I’d share with you my favorite poem of all time. Hopefully, it can inspire those of you who write.

Enjoy.

 

🙂

 

1. The Love Song of J. Alfred Prufrock
S’io credesse che mia risposta fosse
A persona che mai tornasse al mondo,
Questa fiamma staria senza piu scosse.
Ma perciocche giammai di questo fondo
Non torno vivo alcun, s’i’odo il vero,
Senza tema d’infamia ti rispondo.

LET us go then, you and I,
When the evening is spread out against the sky
Like a patient etherized upon a table;
Let us go, through certain half-deserted streets,
The muttering retreats         5
Of restless nights in one-night cheap hotels
And sawdust restaurants with oyster-shells:
Streets that follow like a tedious argument
Of insidious intent
To lead you to an overwhelming question….         10
Oh, do not ask, “What is it?”
Let us go and make our visit.
In the room the women come and go
Talking of Michelangelo.
The yellow fog that rubs its back upon the window-panes,         15
The yellow smoke that rubs its muzzle on the window-panes
Licked its tongue into the corners of the evening,
Lingered upon the pools that stand in drains,
Let fall upon its back the soot that falls from chimneys,
Slipped by the terrace, made a sudden leap,         20
And seeing that it was a soft October night,
Curled once about the house, and fell asleep.
And indeed there will be time
For the yellow smoke that slides along the street,
Rubbing its back upon the window panes;         25
There will be time, there will be time
To prepare a face to meet the faces that you meet;
There will be time to murder and create,
And time for all the works and days of hands
That lift and drop a question on your plate;         30
Time for you and time for me,
And time yet for a hundred indecisions,
And for a hundred visions and revisions,
Before the taking of a toast and tea.
In the room the women come and go         35
Talking of Michelangelo.
And indeed there will be time
To wonder, “Do I dare?” and, “Do I dare?”
Time to turn back and descend the stair,
With a bald spot in the middle of my hair—         40
(They will say: “How his hair is growing thin!”)
My morning coat, my collar mounting firmly to the chin,
My necktie rich and modest, but asserted by a simple pin—
(They will say: “But how his arms and legs are thin!”)
Do I dare         45
Disturb the universe?
In a minute there is time
For decisions and revisions which a minute will reverse.
For I have known them all already, known them all:
Have known the evenings, mornings, afternoons,         50
I have measured out my life with coffee spoons;
I know the voices dying with a dying fall
Beneath the music from a farther room.
  So how should I presume?
And I have known the eyes already, known them all—         55
The eyes that fix you in a formulated phrase,
And when I am formulated, sprawling on a pin,
When I am pinned and wriggling on the wall,
Then how should I begin
To spit out all the butt-ends of my days and ways?         60
  And how should I presume?
And I have known the arms already, known them all—
Arms that are braceleted and white and bare
(But in the lamplight, downed with light brown hair!)
Is it perfume from a dress         65
That makes me so digress?
Arms that lie along a table, or wrap about a shawl.
  And should I then presume?
  And how should I begin?

.      .      .      .      .      .      .      .
Shall I say, I have gone at dusk through narrow streets         70
And watched the smoke that rises from the pipes
Of lonely men in shirt-sleeves, leaning out of windows?…
I should have been a pair of ragged claws
Scuttling across the floors of silent seas.

.      .      .      .      .      .      .      .
And the afternoon, the evening, sleeps so peacefully!         75
Smoothed by long fingers,
Asleep … tired … or it malingers,
Stretched on the floor, here beside you and me.
Should I, after tea and cakes and ices,
Have the strength to force the moment to its crisis?         80
But though I have wept and fasted, wept and prayed,
Though I have seen my head (grown slightly bald) brought in upon a platter,
I am no prophet—and here’s no great matter;
I have seen the moment of my greatness flicker,
And I have seen the eternal Footman hold my coat, and snicker,         85
And in short, I was afraid.
And would it have been worth it, after all,
After the cups, the marmalade, the tea,
Among the porcelain, among some talk of you and me,
Would it have been worth while,         90
To have bitten off the matter with a smile,
To have squeezed the universe into a ball
To roll it toward some overwhelming question,
To say: “I am Lazarus, come from the dead,
Come back to tell you all, I shall tell you all”—         95
If one, settling a pillow by her head,
  Should say: “That is not what I meant at all;
  That is not it, at all.”
And would it have been worth it, after all,
Would it have been worth while,         100
After the sunsets and the dooryards and the sprinkled streets,
After the novels, after the teacups, after the skirts that trail along the floor—
And this, and so much more?—
It is impossible to say just what I mean!
But as if a magic lantern threw the nerves in patterns on a screen:         105
Would it have been worth while
If one, settling a pillow or throwing off a shawl,
And turning toward the window, should say:
  “That is not it at all,
  That is not what I meant, at all.”

.      .      .      .      .      .      .      .
        110
No! I am not Prince Hamlet, nor was meant to be;
Am an attendant lord, one that will do
To swell a progress, start a scene or two,
Advise the prince; no doubt, an easy tool,
Deferential, glad to be of use,         115
Politic, cautious, and meticulous;
Full of high sentence, but a bit obtuse;
At times, indeed, almost ridiculous—
Almost, at times, the Fool.
I grow old … I grow old …         120
I shall wear the bottoms of my trousers rolled.
Shall I part my hair behind? Do I dare to eat a peach?
I shall wear white flannel trousers, and walk upon the beach.
I have heard the mermaids singing, each to each.
I do not think that they will sing to me.         125
I have seen them riding seaward on the waves
Combing the white hair of the waves blown back
When the wind blows the water white and black.
We have lingered in the chambers of the sea
By sea-girls wreathed with seaweed red and brown         130
Till human voices wake us, and we drown.
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