Depression

All posts tagged Depression

On being random, dismantling and finally updating.

Published June 27, 2016 by mandileighbean

It’s been over two months since the last time I posted, and there’s nothing I want more than to tell you I’ve been doing wonderfully interesting things, that I’ve been really and truly living. But that would be a hyperbole. I’ve been alive, yes, and I’ve done some fun things, yes, but nothing that should keep me from writing.

So let’s catch up, shall we?

I haven’t lost any weight, but I have gained some. I haven’t really been trying, as I’ve felt mostly unmotivated and uninspired lately. Is this summertime sadness? Is this some looming emotional, existential crisis that has finally landed? Am I just melodramatic? Rather than answer these questions, I usually eat a bag of potato chips (the ones that say “Family Size”) and fall asleep on my couch.

I think I’ve identified one behavior that needs to change.

I wish I had a camera that could take quality pictures of the moon and do its beauty justice.

“A heart that hurts is heart that works.”

I don’t fantasize about sex. I fantasize about intimacy; how sad is that?

I think a duck must have a perfect life. They just float on, no matter if the water is calm or choppy. They can take off and fly whenever they want. If the only dunk their heads in the water, they have food. It’s simple and free, and I am envious.

I am done romanticizing broken men, as if loving them adds something noble to my character.

“I don’t hold grudges. I believe that’s the shit that leads to cancer.”

The school year ended on a high note. The senior events I was charged with helping to plan (Mr. Manchester, Senior Prom, graduation) all went off without a hitch. I am proud of the work I’ve done.

“Nothing is ever over.”

I really need to use my upstairs more. I don’t have central air though, so during the summer, the temperature is almost unbearable up there. So I’m in pretentiously self-proclaimed “office,” but it’s dark in here. It’s really dark in my house. I’ll say it’s to keep it cool, since I don’t have central air, but in all honesty, it’s because I’ve been too broke to afford light bulbs and now that I do have money, I’m simply too lazy to buy some and replaced the old ones.

“I know what I want, and I don’t mind being alone.”

It’s really dark in my house. I’ll say it’s to keep it cool, since I don’t have central air, but in all honesty, it’s because I’ve been too broke to afford light bulbs and now that I do have money, I’m simply too lazy to buy some and replaced the old ones.

This is what a successful adult looks like, no?

The literary agent who requested the first fifty pages rejected me, but my original publisher is still thinking about it. What’s that saying, when God closes a door, He opens a window? I’m feeling ambivalent to everything, mostly because I’m sunburned and it hurts so I’m cranky.

I like collecting little, seemingly unimportant details of the people in my life to better craft my characters.

When school was in session, I realized that the worst thing about leaving my house each weekday morning wasn’t having to bid adieu to my comfortable bed and its cozy covers, but that I miss the early sunlight streaming through the windows and lighting the wooden floors. It’s beautiful, and I was sad I could never just sit and admire it. But now I can. I think that’s how life is supposed to work.

I do this thing sometimes where I just sit in my car. I might leave the engine running, or I might shut it off, but either way, I sit in the driver’s seat, scrolling through the social media garbage on my phone or playing Tetris. It’s wasting time, one of the most precious gifts, and I hate it. I don’t know why I do it. Is it exhaustion? Is it moodiness? I abhor how lazy I am. I had an idea for a scene for my third novel, but the details have faded. I remember it had something to do with a modest, upstairs library and someone watching on anxiously as someone else carefully surveyed the titles. I wanted to throw in visiting a favorite author’s grave, but there was definitely more to it, like dancing or something? I need to write things down more often … obviously.

“Wanting it doesn’t make you the monster, taking it does.”

Some days, I just waste the hours until I can go back to sleep.

“You can fail at what you don’t want to do, so you might as well do what you love.”

I’ve been in a miserable sort of funk, so I’m endeavoring to change my life. My friend thinks I need to be comfortable alone before I can be comfortable with someone. She recommended hiking, picnicking, wine on the beach, seeing movies, and getting coffee. I also think I should leave the state. I’ve been dying to go to Key West in Florida. This summer, I’ve decided to dismantle myself from the inside out, rebuilding to be more carefree, more creative, more in love with myself and less dependent on others. Some days, I have to talk myself into getting out of the shower, and even then, I change into pajamas.

But I’m trying to be positive, I swear. I’ve begun keeping a running list of things that make me happy to be alive (in no particular order).

  • fireworks on a summer night
  • driving my Jeep without its roof and doors
  • sunburn (as long as it turns tan)
  • books (even the shitty ones because they’re non-examples for my career)
  • clean sheets
  • hot showers
  • food, glorious food!
  • running and being sweaty after a run because it helps me to love my body
  • good movies
  • laughing
  • the national pride fearlessly displayed by soccer fans

“The effect you have on others is the greatest currency you’ll ever have.”

I recently lost a banana for 24 hours.

“I’m ripe with things to say. The words rot and fall away.”

So, here’s an excerpt from the novel I’m working on. You should hit “play” on the video that follows now, so you can have a soundtrack. Ironically, the song playing is not the one I quote in the paragraph that follows. I wish I knew why I do the things that I do.

“The thing about things is that they can start meaning things nobody actually said, and if he couldn’t make something mean something for me, I had to make up what it meant.”
– Amanda Palmer

Kelly dropped the box filled with odds and ends concerning the kitchen with an exaggerated, dramatic sigh of relief. The box landed on Charlotte’s tiny, cheaply and poorly made kitchen table, a piece of furniture she had salvaged from her grandmother’s home, a piece that had likely been in the home for forty years – a horrible blend of Formica and putrid pastels. For a moment, Charlotte had been hopeful the weight of the box would crush the table and put the ugly thing out of its misery, but she had no such luck. She watched Kelly similarly drop herself into a chair, sweaty and tired from a day spent moving, a day of manual labor. “I don’t want to do this anymore,” she whined.

Charlotte offered a grin of commiseration. “I know, me neither.” She moved a few steps closer, resting against the back of a chair.

“Then let’s call it quits and do something better.”

“Like what? As you can tell, I haven’t got much of anything.”

Kelly thought for a moment. “You got playing cards?”

“I think so,” Charlotte said. She knew damn well that she did, but she was playing it cool for no other reason than it was a habit turned instinct. It was irrational – there was no way Kelly would give a shit about how those cards came to be in Charlotte’s possession, or how seeing those cards made Charlotte’s dumb heart skip a beat even now, even though she was nearly 1,000 miles away.

Kelly’s face of thoughtful concentration broke into a youthful smile of excitement. “Well, shoot – I’ve got beer and some of them crisps. How’s ’bout you and me play us a few rounds of cards?”

“Sure,” Charlotte smiled. Kelly scurried back to her neighboring apartment to scrounge up some beer and some snacks, and Charlotte headed to her bedroom. At the foot of her bed, upon the creaky floor, sat a box labeled, “PERSONAL.” It had been the only box Charlotte had personally moved, had tucked discreetly in her car and carried hurriedly across the threshold of her new apartment, lest anyone should see and ask about the contents, most of which meant absolutely nothing to anyone except Charlotte (hence the label). It wasn’t filled with lingerie or vibrators or dirty pictures or anything like that. The contents only embarrassed Charlotte because of their innocence, because only a prude would cling to a random assortment of objects that reminded her of people who had long since removed themselves from her life, or had been removed for any number of offenses. The items in the box would mean nothing to a passerby and that embarrassed Charlotte, like there was something shameful and almost juvenile about being anything but obvious.

She squatted somewhat uncomfortably to delicately open the box, lovingly unfold the flaps so that she had complete access to some of her memories, so that the majority of the contents were visible. Charlotte only needed to scan the contents for a few seconds before she found the deck of cards, quaintly contained in cardboard, beaten up from a few years of handling. A smile splayed itself unabashedly upon her lips as she reached into the box the same way a heart surgeon would reach into her patient’s chest cavity. With the same kind of epic patience, she removed the playing cards from the box and began walking back to the kitchen. The youthful, exuberant smile quickly became nostalgic and sad.

The playing cards were white with silver, loopy hearts decorating their backs. The hearts were cute, sure, but there was nothing remarkable about their appearance. They were a treasured item for Charlotte only because of the way the cards came to be in her possession. A few years ago, Charlotte had fallen in love with a beautiful, brilliant, and broken man. As a result, she had developed a constant need to be around him, to be close to him, and so, she invited him everywhere.

One night, she invited him back to her hotel room after a work conference. She and her colleagues had all been drinking for quite some time, right up until the lights came up for last call. The beautiful, broken man had joined them at the bar, at Charlotte’s request, of course. Charlotte had always envied the sort of effortless grace that surrounded him, the way he could suddenly appear anywhere at anytime and be welcomed and accepted. When he strolled into the bar without fanfare or pomp and circumstance, without having attended any of the conference because of a prior commitment, Charlotte was breathless with awe. It was like something of a horribly cheesy and romantic movie made for network television; he could have been walking in slow motion beneath a burning spotlight towards a strategically placed wind machine. The fact that he was walking towards Charlotte smiling was wonderful and she was so happy she could burst apart. She never ever wanted her time with him to end, and her colleagues and friends didn’t want to stop drinking, so a select few decided to buy some beer and return to Charlotte’s room. She turned to her beautiful, broken man and invited him. He played it cool – he was always so goddamn cool – and didn’t really answer one way of the other. Even when they were walking back to the hotel, just across the street, he wouldn’t accept or outright reject the invitation. When he climbed into his car, a lump formed in Charlotte’s throat. She would let him go and hide her disappointment, try and play it cool, so her parting words asked that if he did come, to bring playing cards. He waved somewhat dismissively and drove away. The copious amounts of alcohol she had consumed kept Charlotte’s mood from dipping too low and she scampered back to the hotel among friends, arm in arm, with high spirits.

He sent her a text later saying he couldn’t find playing cards and was just going home. Charlotte sighed heavily and thought her best recourse was to just keep drinking.

About twenty minutes later, there was a booming knock at the hotel room door. It sounded particularly authoritative and Charlotte was worried it was the cops. Were they being too loud? Her one friend raced to the bathroom to hide while the other pressed herself further into the bed, as if the mattress could swallow her whole and conceal her. They had left Charlotte to answer the door and so she did, despite feeling suddenly and incredibly nauseous. She opened it and saw no one. No one was there.

She whipped her head to the right and gazed down an empty hallway.

Looking to the left revealed her beautiful, broken man. He was leaning against the hallway wall like some leading man from Hollywood. His arm was bent at the elbow so he had one hand behind his head and rested his weight against the wall through the point of that bent elbow. His right leg was crossed behind the left one and the toes were pointed down at the plush carpet. In his other hand, he twirled a pack of playing cards. He was smiling, quite pleased with himself and the effect it all had on Charlotte. There was certainly something gorgeous about him, something more than his appearance. His demeanor drove her wild – she would never able to pull off such an entrance, but he had.

And it had been for her. What more could a girl possibly ask for?

But nothing had come of it. He was with some woman with a checkered past and too much makeup. Charlotte’s grandma was worsening, and so she had left it all, run away. But she kept the playing cards to remind herself that for one night, she had gotten exactly what she had wanted, that she had been perfectly happy. The cards symbolized possibility – if it happened once, couldn’t it happen again?

 

On treating a blog like a confessional, for better or worse.

Published May 31, 2015 by mandileighbean

woman writer

Good news: A literary agency requested my full manuscript about a week ago.

Bad News: I haven’t written anything in a while, other than melodramatic diary entries that are more embarrassing and revealing than creative.

I had a revelation last night, one that shocked and dismayed me to the point of smoking a cigarette, something I haven’t done in years.  I was being wasteful of time and energy, binge-watching that show “Scandal” on Netflix, when the main character said something like, “Because if he doesn’t remember what happened, it’s like he doesn’t care. And if he doesn’t care enough to remember, it’s like he’s implying that it never happened.” My jaw dropped because those words express my fears and anxieties so exactly. For quite some time, I’ve been hiding from and rejecting the very possible reality that I have been forgotten, and that I am not missed. I need to genuinely understand and embrace the possibility that the entire experience was all my creation, that it is all in my head and it was only ever in my head.

But I fight with myself. I swing back and forth between being a scared, stupid and silly girl with a crush, to a woman who was in love but was denied. One option makes me interesting while the other makes me weak and foolish. Both options, however, are definitely unappealing. I think about the events that transpired constantly, and do my best to remember vividly how it all was because those memories are all I have, the only evidence that I crossed paths with someone amazing at all.

That truth depresses me, nearly knocks the wind from me.

But I’ve told all of this before. Maybe that truth is what really depresses me, that I have nothing new to say as I am stuck.

Heartache may make a woman more interesting, but I think I’d be content to be boring for a while, so long as it meant that I was happy.

Yesterday, I traveled to Adrenaline – the tattoo and piercing place – because I lost the horseshoe for my nose and wanted another one.  There was a young woman at the counter whom I would have sworn I had never seen before in my life.  But as I walked up, she asked, “Are you Bean?” I replied in the affirmative, and she asked me if I taught at the high school and again, I replied in the affirmative. I asked if she was a student, or the sibling of a student, and she surprised me by telling me she was a classmate. We rode the bus together when she was in first grade and I was in fifth, and I would tell her stories on the ride to and from school. I have no recollection of it, but the idea that I’ve been telling stories all my life makes me smile.

Until I consider that I’ve been telling them to myself. I think the fairy tale I’ve stored up in my heart may be nothing more than a story. I wish my writing could change that.  I suppose that’s why I do it.

lonelywoman

On talking to the dead.

Published April 14, 2015 by mandileighbean

Friday, April 10, 2015 marked 90 years since the publication of The Great Gatsby by F. Scott Fitzgerald, the novel that essentially changed my life by confirming the kind of woman – the kind of human being – I wanted to be.

I couldn’t let such an occasion, such an anniversary; pass without some kind of commemoration.

So I drove three hours and 40 minutes to St. Mary’s Catholic Church in Rockville, Maryland.  I drove down I-95, which I have become so accustomed to that traversing that interstate is painfully boring.  I had my iPod blaring, but my mind was essentially blank, other than lingering upon the object of my affection and then Gatsby and then back again.  The object of my affection tried countless times to convince me of similarities between him and Jay Gatsby, of which there are admittedly a few.  We sent each other text messages late into the night while watching the film adaptation of the novel, discussing themes and characterization and life.  I only knew the novel was published on April 10th because of this man.  Gatsby was (is?) our thing.  So now, perhaps unfortunately, the fictional world of Jay Gatsby and my first heartbreak are inextricably linked forever and ever, amen.

Maybe that realization, that my favorite book is forever tainted by the inevitable disappointment of romance, made me somber and weird inside, but I was certainly reserved as I pulled into the church’s parking lot.  I parked in the further possible spot, closer to the adjacent school than the actual cemetery, but did so for no discernible reason.  In hindsight, I supposed I wanted to be ignored and inconspicuous, didn’t want to be a nuisance of any kind.  That notion seems laughable though, especially when I consider how absurd I must have looked, emerging from a piece of shit car – part of my front bumper is missing – in a fancy black dress too elegant and too formal for the impromptu graveside visit, with a fancy black coat that made me sweat but offered respite from the persistent mist.  I was alone, as always, and walking around aimlessly.  I’m sure I looked out of place and had anyone been around, I’m sure they would have chalked me up to some kind of weirdo.  To be fair, I guess that’s exactly what I am.

The entrance to the cemetery is across from a sign that reads, “BEAN BLVD.”  That cannot be coincidence; I don’t care what kind of logic is thrown at me.

I saw a gate, but it was small and unremarkable, so I assumed there must be a main gate somewhere, adorned with ironwork and a plaque or a sign – something.  Looking around furtively, worried I might just be trespassing, I followed the low, wrought iron fence around the perimeter of the cemetery but found no other entrance.  I traced my way back, which maybe took all of two minutes as the cemetery is rather small, to that first gate.  The latch, with its peeling paint, was worn enough to almost be rendered ineffective.  I considered it a particularly cruel kind of irony that this humble, rather shabby cemetery serves as the final resting place of the man who imagined Gatsby and the extravagant, opulent world in which that character existed.  I sighed and opened the gate, gingerly lifting the decrepit latch and gently shutting the gate behind me.

The grave was incredibly easy to find, partly because the cemetery is so small and partly because his marker is so large.  It’s off to the right of the short, winding path that just ends through the tiny, enclosed area.  I followed it, careful not to tread on the hallowed ground of those resting eternally, but had to leave the path eventually.  My heels sank into the soggy ground and I berated myself for my inconvenient melodramatics.  But then I faced Fitzgerald’s grave.

It’s a simple headstone.  It has his name, the years in which he lived and breathed and made the literary world a far better place.  His wife’s name is below, as are her years of existence.  Perpendicular and impressive is a stone slab that bears the last lines of Fitzgerald’s masterpiece, the work that is often considered the great American novel.

“So we beat on, boats against the current, borne back ceaselessly into the past.”

I was the only one mourning and paying homage to a brilliant and destructive man, but I hadn’t been the only one.  There was evidence of other grievers.  There was a bloated, yellowed with the age, rain-soaked paperback copy of The Great Gatsby.  I leaned close and found it was open to pages 116 and 117, where Nick warns Jay that the past cannot be repeated, but Jay is deaf and insistent.  “Can’t repeat the past?  Why, of course you can.  Of course you can.”

There was a sodden bouquet of roses, decimated by the rain, soaked and scattered, looking especially tragic and mournful.  Perhaps the passage and gray skies and the cemetery added to that impression.

There were many pens, an obvious but touching nonetheless tribute to an insanely talented author.

There were many pennies, what I mistakenly assumed was an Irish tradition until I took to Google.  Coins are left on graves for many reasons, but there are three reasons that appear to be the most common.  One reason dates back to Greek mythology, and coins are left as payment for the ferryman that transported souls across the river Styx.  The second is related to the military and dictates that leaving certain coins is evidence of a particular relationship.  For example, pennies are left by any living soldier visiting a veteran’s grave while nickels are left only by those who attended boot camp with the deceased.  The third reason is to simply leave evidence that one visited and was there.  How narcissistic is that, having to leave proof of our existence at the proof of another’s existence?

My favorite token was a small bottle of Jack Daniels whiskey with an accompanying shot glass.  Next year when I make the trip, I plan on bringing daisies – though I despise the fictional Daisy Buchanan I completely understand what it is she represents, as despicable as it is – and a bottle of gin or some other antiquated kind of alcohol.  I plan on having some shots and hanging out for a decent amount of time, telling Fitzgerald how much I admire him, how much many admire him, and that I hope heaven allows for him to see how important he has become.

Much like the title character of his greatest literary achievement, Fitzgerald died alone and in obscurity.  Apparently the priest who presided over his funeral services did not even know who Fitzgerald was.  Fitzgerald considered himself a failure, and drank himself to death, falling dead in the apartment of his girlfriend, some tabloid reporter that he may have shacked up with to aid his dwindling screenwriting career in cruel, unforgiving Hollywood.

I devoured Gatsby when I was fourteen years old.  I have read it at least once a year since, and have convinced myself that I am Gatsby.  And as I stood at Fitzgerald’s grave, pondering the possible autobiographical content of his greatest novel, I realized that therein lies the magic of the novel; we are all Gatsby.  We all want too much and at times, we can want to reclaim some version of our former selves, tirelessly and obsessively chasing after some enchanted object that we think will fix everything.  We are continuously disappointed, but we keep right on chasing, reaching in everlasting desperation.

I thought Philip Roth had it right, that the real human tragedy is that we are all woefully unprepared for tragedy.  Now I think Fitzgerald was right, that the real human tragedy is that we are never satisfied.  We want too much.

I said a few prayers, thanked him, and empathized with the dead author.  I explained that I was a writer and that I feared my talent – if I may be so arrogant in insisting that I have some – would go undiscovered.  I told him I was afraid of dying alone, of having absolutely no one to mourn at my graveside, let alone any fans.  I delicately turned the pages of the soaked novel, carefully turning pages made nearly transparent by the rain and other elements.  I turned to the part where Nick pays Gatsby the sole compliment of their friendship, when he tells Gatsby that Daisy and Tom and Jordan are a rotten crowd, and that Gatsby is worth the whole damn bunch put together.  Nick is glad he said that, even though he disapproved of Gatsby from the beginning to the end.  It is a beautiful sort of sentiment, and I wondered if Fitzgerald, like Gatsby, had a friend in the end who got someone for him.  I softly kissed my fingertips and let them trail along the cold stone as I began the brief walk out of the cemetery, back to my piece of shit car, parked suspiciously outside the adjacent Catholic school like some kind of inappropriate joke made in poor taste.

I drove back home, traveling for four hours, stopping to eat at McDonald’s and then almost immediately wanting to die as the food upset my stomach terribly.

Despite the bizarre and spontaneous nature of the trip, the irritating traffic and uncomfortable way the greasy, cheap food sank in my stomach, the trip was inspiring.  I began to develop an idea for a third novel.

And it’s all thanks to F. Scott Fitzgerald.  So I will return again and again to give thanks and pay homage because he communicated universal truths without restraint.  He was unashamedly who he was, embracing his genius and his insecurities and his worth and his faults all simultaneously.  Fitzgerald was wonderfully and beautifully human and wrote to be inclusive, to help everyone understand that we are all guilty, that we are all beautiful and deserving of love, that we can all be great.  We all reach out, trembling, for the green light.

And it’s okay.

fitzgrave

On trying not to be ungrateful and having perspective.

Published March 24, 2015 by mandileighbean

Ungrateful+brat+all+i+got+was+coal_5ef563_3156907

“He asked me, ‘How do you keep fighting?’
And the truth is I don’t know
I think it’s funny that he asked me
‘Cause I don’t feel like a fighter lately
I am too unhappy

You’d think I’d get perspective

Can I not accept that my own problems
Are so small?”

– Amanda Palmer, “Bigger on the Inside”

People probably think there’s someone living on my second floor because I’m far too lazy to climb the stairs and turn off the light.  But the truth is that I live alone.  I purchased a home independently and for a woman of 26, that’s not too shabby.  I know that I should be proud of myself and feel accomplished.

But the truth is that I live alone.

In the novel Frankenstein, the monster admits, “I am malicious because I am miserable.”  Conor Oberst expresses a similar sentiment in his song “Lovers Turn Into Monsters” when he writes, “Lovers turn into monsters at the loss of all affection, almost like it was the affection that kept them from being monsters.”

I am alone and miserable, and that makes me malicious, that makes me a monster.  Unfortunately, I’m not even a beautiful one.  I have the career, the house, the car, and my braces will be removed soon.  I’ve published one novel and written my second.  But what does that list of achievements really mean at the end of the day if no one else is impressed enough to single me out in a special and unique sort of way?  My friend half-heartedly joked that I most likely need therapy because I cannot see, or assess, my self-worth unless it is validated by someone else.  That’s weak, isn’t it?  Isn’t it cowardly?  Should I not be brave or confident enough to be alone, to be by myself, to be with myself?  Romantic poets, specifically Wordsworth, talk about “blissful solitude,” which, for me, is a personal oxymoron.  Solitude does not make me blissful, but is that because I’m my own worst enemy?

Last night, I ate dinner alone – as I do most nights – seated across from a vase filled with a dying, wilting bouquet.  I’ve been trying to convince myself the scene was romantically tragic, like I can wear my loneliness in an ironic, fashionable way, like a worn and frayed denim jacket that’s adorned with many pinks, each one displaying incredibly funny and witty social commentary.  Unfortunately, I’m falling short of that mark.  I’m more of a sniveling, unsympathetic victim than an alluring, inspiring heroine.

My mother asked, “If you died, who would be affected?”  To be fair, we were discussing financial planning and we all laughed because it was only poor phrasing and nothing more, devoid of malicious intent.  But man – what a question.

WRITING PROMPT #22: “A couple of goth high school students get busted shoplifting and are sentenced to do community service with Habitat for Humanity.”

To sixteen-year-old Morgan, everything looked like a nail, as she was one hell of a hammer, one that continuously shocked and surprised her mother who was baffled by the complete disappearance of the beautiful baby girl she had once held.  The pacifier and dresses with bows and lace gave way to jet black hair and jet black nails and thick, black eyeliner that made Morgan look more bruised and broken than anything else.  But Morgan’s mother supposed that was the look Morgan was going for, a tormented soul, as Morgan believed she was victimized and persecuted in only the way that a sixteen-year-old girl can.  No one understood Morgan and as a result, everyone was out to get her and no, no one else possibly knew what that was like because Morgan was different; she was special and unique and sensitive and intelligent.  For wanting to be accepted while simultaneously being an alternative to everyone else, while complaining about being ignored and not wanting special attention, Morgan could sure pat herself on the back.  Morgan blamed those contradictions, and the competitive, capitalistic society that put possessions before people, for her shoplifting spree with Alexis.

Morgan claimed that she and Alexis, her best friend, had tried to steal the designer handbags to be ironic.  Morgan asserted that the two girls were making a statement about the dangers of consumerism and the loss of identity, that she had only snatched the purse to transcend the lame chains of the reality that was created by everyone around her except her.  Impassioned though her speech was, it was all bullshit, and the juvenile court judge knew it.  Consequently, Morgan and Alexis were sentenced to do community service with Habitat for Humanity.  And now here she was, hammering nails into boards that created some sort of shell, or foundation, for a home.  Morgan assumed the charitable deed should fill her with some kind of positive feeling, but it didn’t.  It was a waste of time in Morgan’s opinion.  After all, there were murderers and rapists who needed their souls cleansed more than Morgan needed it.  The message, the point of it all, was utterly lost on her.

So she let her hammer fall to the ground.  Morgan released a heavy sigh.

A moment or two passed and then a handsome man shuffled over, bent to retrieve the hammer from the grass, and handed it back to Morgan.  “Here you go,” he said cheerfully.

Reluctantly, Morgan reclaimed the tool.  She said, “Thanks.”  Her tone was flat and even, nearly dead.

“Having fun?” the man asked, evidently entertained by the complete misery issuing from Morgan.

“That’s rhetorical, right?”

He smiled wider.  “Oh, come on; the weather’s amazing, we have air in our lungs, and we’re helping our fellow man.  Life is good, is it not?”

Morgan shrugged.  “You could argue that we’re perpetuating competitive, capitalistic dogma that decrees my house must be nicer than yours for me to feel complete.”

“Why argue at all?”  Morgan only blinked at the man.  So, he added, “Besides, we’re not just building a house.  We’re providing someone with a home.  Don’t cheapen it by claiming materialism.”

“I’m not cheapening anything,” Morgan argued.  “This family only thinks they need this house because -”

“What do you know about this family?” the man interrupted.

“What?”

“Tell me; what do you know about this family?”

Sheepishly, Morgan hesitated before she admitted that she knew nothing about the family, not their names, not their background, nothing.  Slowly, the man nodded.  “This family thinks they need this house because they do.  The father, the bread winner, died unexpectedly last year in a car accident, which left the ailing mother to care for five children.  I say ‘ailing’ to be polite, but she’s dying.  She’s dying of cancer.  The youngest is ten and the oldest is 24, so they need somewhere to live when the mother dies in about a month.  The oldest needs to house his siblings in an affordable shelter and then, somehow, he needs to figure out how to be an adult, how to be a father and a mother, and he needs to figure out how to be sacrificial without being bitter.  He needs to find a healthy balance between being there for them and being here for himself.”

Morgan gulped.  She was swallowing her shame.  She said, “You’re the oldest.”

The man smiled.  “I am.  And it’s a beautiful day.”  He clapped Morgan on the shoulder and continued on his way, walking back towards where he was helping to assemble the foundation of his future.

perspective

On bad days and good days, and how they can come one right after the other.

Published February 13, 2015 by mandileighbean

Today is Friday the 13th, a notoriously unlucky day.  A coworker was married and kissed his new wife for the first time during the ceremony.  I realized that I’ve been chasing the ghost of a good thing and that it is finally time to give up the ghost.

It all started with candy hearts, the chalky kind that no one really enjoys to eat but that everyone loves to read.  I put them absolutely everywhere I could, almost as if I thought they were cleverly symbolic of all the real love I had to give.  But they ended up in the trash and I was followed the metaphor, I would conclude it was pretty much accurate.

I am going to eat chocolate and drink and sleep until I feel better, or at least become numb to what should be familiar disappointment and terrifying assumptions.

Please excuse the pity party; I am a single woman on Valentine’s Eve.  I’m entitled, I believe.  And give me some credit for not going to see “Fifty Shades of Grey.”  In that sense, I am trying to retain my dignity.  But in all sincerity, I suppose that makes me as original and genuine as a cop in a donut shop.

WRITING PROMPT #21: A police detective is assigned to a case involving arson at several Krispy Kreme donut shops.

Mark sat in the cruiser with the blue and red light whirling and twirling above, but the sirens were silent.  He had a clipboard perched on his lap with tedious paperwork that he had retreated to fill out.  Mark had finished the paperwork some time ago, nearly thirty minutes, but had been extremely hesitant to leave the car.

Walking into any donut shop in a uniform was difficult enough.  The trite jokes, snide comments, and sniggers of laughter were irritating and overplayed.  However, walking into a donut shop when the uniform was stretched tight around an ever-expanding, rotund middle was proof that God was insensitive and cruel.  It didn’t seem to matter that the shop was only so much ash and rubble, the unfortunate victim of an impressively vindictive and awfully clever arsonist.  It didn’t matter that Mark was there to investigate and bring about justice in whatever form was most appropriate.  All that mattered was that he was a fat cop walking into a donut shop.  That kind of material practically wrote itself.

Sighing heavily, Mark tossed the clipboard onto the front passenger seat.  He turned his head to look at the scene, milling with onlookers – only a very few were witnesses and even less were helpful – and firefighters and employees.  He had absolutely no desire to face any of them.  He looked away, across the street to the stores that lined the street.  They were still standing, and he caught the reflections of the lights in the storefront windows.  He watched the blue and red chase each other round and round for a few moments before his eyes lit on his own reflection.

Sighing heavily, Mark tossed the clipboard onto the front passenger seat.  He turned his head to look at the scene, milling with onlookers – only a very few were witnesses and even less were helpful – and firefighters and employees.  He had absolutely no desire to face any of them.  He looked away, across the street to the stores that lined the street.  They were still standing, and he caught the reflections of the lights in the storefront windows.  He watched the blue and red chase each other round and round for a few moments before his eyes lit on his own reflection.

An obtuse officer; a portly policeman – Mark could think of a million and one clever ways to describe himself, but such self-deprecating declarations did little to change or even mask the reality.  He was unhealthy.  He wasn’t appealing.  It had been years since any woman had even talked to him, let alone offered him a second glance (even out of sheer pity).  He was a living, breathing travesty; he was an awkward and atrocious version of himself that he had never envisioned, never aimed for.

Life was funny that way, he supposed.  His bottom lip quivered, threatening tears and wouldn’t that just be the icing on fat boy’s cake if he started sobbing like a little girl in the squad car.  He pushed his pudgy fists against his eyes and waited for the tumultuous moment to pass.

A knock on the window snapped Mark out of it.  His hands dropped to his lap and there was his partner, bent at the waist to better peer into the cruiser.  Mark rolled the window down.  “What’s up?” he asked in what he hoped was a casual tone.  Would his partner know he had been about to cry, that he was so weak as all that?

“Some guy says he saw some crack head running from the flames with a gas can.  Sounds like a promising lead.”

Mark nodded.  “Sure does, I’ll be right out.”

His partner nodded and walked away.  Mark rolled up the window again.

He wondered how much longer he could stay just where he was without raising suspicion.

On remembering and being thankful.

Published December 29, 2014 by mandileighbean

“Death ends life, not a relationship.”

– Robert Benchley

A beautiful and brilliant man once asked me if I knew what the poet Robert Frost said about life.  Embarrassed, I had to admit that no, I did not.  He told me that Robert Frost said that it goes on; life goes on.  I could only agree because it is a fact and who am I to argue with Robert Frost?  The conversation continued as both he and I commiserated about those minor tragedies and somewhat larger frustrations that so often plague humans as time passes and as life goes on.  I did not give his words much thought.

Until today.

A year ago today, I wrote a blog post which was viewed over 1,000 times, which seems impressive when one considers my average views rarely top 20.  However, that statistic becomes decidedly less impressive when one realizes the views came from mourners and I did nothing creative or noble or bold or entertaining.  I lamented the loss of a wonderful woman and inspiring colleague.  I am glad, and I supposed I could even say proud, that those words offered comfort and empathy to those who were suffering the pangs of such a shocking and brutal kind of grief.  But time steadily marched on, as it always has and always will, and the post, those words were forgotten as acceptance and healing and coping began.  I thought about the absence of my colleague nearly every day since then, rubbing the charm on the Alex & Ani bracelets we purchased in memory of her, but the post and what I had written never really crossed my mind.

And that realization particularly strikes me because since her passing, I have been able to understand her in ways I never thought I would, or even could.  I now teach in her classroom, two sections of the Honors program she built and perfected.  The task is daunting and I constantly worry that I’ll disappoint.  There’s always a special kind of pressure for an alumna who returns to her alma mater to teach, and that is excruciatingly increased when that same teacher is asked to fill the shoes of a beloved, intelligent teacher who passed suddenly.  On the bad days, when the lesson plan goes awry and I feel stupid and small and incompetent, I sometimes silently curse her because I childishly wish she were still here for the selfish, awful reason of relieving me of a burden.  Luckily, those selfish, bad days that I am greatly ashamed of are few and far between.

More often than not, I raise my eyes to the sky and send her a prayer of thanks.  This woman, who is no longer with us, is continuing to make her presence felt – is continuing to teach and inspire.  This year, I am taxed with teaching works I have not read nor studied, the first of which was Hard Times by Charles Dickens.  I should tell you that Charles Dickens was never a favorite of mine.  I considered him overrated, tediously verbose and a generally uninspired writer.  I shared in my students’ misery as we began to read and analyze the prose together, but then something wonderful happened.  We all grew to love the work; our seminars were intellectual and passionate.  The students became more cultured with such a staggering work under their belts, and I became a better teacher – I discovered that I could be an example for my students and that I could not groan nor complain when faced with an unfamiliar work, but had to persevere and connect with it to entice myself to analyze and interpret all it had to offer.  And I only learned this because my dearly departed colleague added the novel to the curriculum.  In true teacher fashion, she challenged a student to rise to the occasion.

Being in her room and sharing some of her experiences, I am seeing life in a new way and for the most part, doing so has made me extremely happy, has made me extremely appreciative and grateful for the opportunity to work in a field which I treasure, and to do so with people who are kind and generous and patient and enjoyable.  I am finally beginning to feel more like a woman instead of an insecure teenager who would much rather run into her bedroom and cry into her pillow while blasting melodramatic music when things get rough and the road gets rocky.  All of this I owe to Tara Gardner, and so this is not a weepy, “in memorial” piece.  This is a thank you letter to a woman who passed a year ago, but whose life was so full and vibrant and inspiring that her legacy is very much alive and those who care to will absolutely benefit from it.

I think back to the beautiful, brilliant man and what he told me.  And I suppose that yes, life does go on.  But I don’t think it does so thoughtlessly, marching like a cold solider across a barren burning field of battle.  Life goes on because it has to, because there are things to be learned, experiences to be valued, love to be lost and won and shared and forgotten, people to hold and scold and remember fondly.  And, I think, because those we have loved and lost wouldn’t have it any other way.

Thank you, Tara Gardner.  You are loved and missed, but please know that you are still teaching and that you are still doing so with amazing skill.

On wanting to get better.

Published April 5, 2014 by mandileighbean

I’m working on my second novel – painstakingly, frustratingly slowly, but surely all the same – and am particularly proud of the following snippet, so much so that I wanted to share it with the internet:

He studied her for a moment. “Did you ever think about getting medication?” Her mouth twitched and he spoke quickly in hopes of completing some damage control. “It’s not a mental health thing. I just assume you get exhausted from the constant highs and lows. Don’t you want a break from that?”
Melanie dropped her eyes to the floor and shifted them slightly to the side. She was honestly considering what Adam was saying. He had a valid point after all, didn’t he? Wasn’t she complaining that she was always tired and so defeated? She knew that was true, but when she looked at Adam, she shook her head. “I don’t want medication, even if I do need it. I’ve always valued my perhaps extreme level of emotion. It means I’m passionate, you know? It’s evidence I’m really alive, and not just breathing and going through the motions.”
Adam looked stoic and serious, and then he inexplicably grinned. “Huh,” he began. “I never thought of it like that. When you said that, it makes being bat shit fucking crazy kind of beautiful.”

I hope you enjoyed it, and I hope you let me know what you honestly think of it.

xoxo

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