Melodrama

All posts tagged Melodrama

On life-changing events.

Published March 20, 2017 by mandileighbean

I know it’s been a while since the last time I wrote, which is a phrase I use much too often to begin these posts. I promised myself I would make writing a priority and I haven’t. To paraphrase William Wordsworth, the world is too much with me. I let work and friends and television and social media and solitaire and invented melodramas take up much too much of my time, but that is all changing, slowly but surely. After all, they say you need to acknowledge and admit to having a problem before you can even begin to solve it.

It is a REAL tragedy writing hasn’t moved more into the forefront of my thoughts and ambitions and desires because that conference/workshop was truly life changing. It was a whirlwind of emotions, but I left feeling validated and prepared and motivated and determined. I mustn’t lose sight of that, or it will all be for nothing.

So today, I kicked my own ass running along the Barnegat Bay (good for body and soul) and am sitting down to properly update you all on that amazing, life-changing, soul-affirming trip to St. Augustine. The trip to Florida was relatively unremarkable; I left my parents house at about midnight (after only shutting my eyes for three hours before the 15-hour drive; I was too anxious, too excited, too eager) and essentially took I-95 all the way down. I passed A LOT of accidents, which I worried might be a bad omen, but I also drove by the Capitol Building, the Washington Monument, and the Pentagon, which I don’t think I’ve ever done despite my many years traveling up and down the Eastern seaboard. Once I arrived in St. Augustine and made it to the hotel, all of my fears were assuaged. I made it, and I had never felt so blessed in my life. It was stunning – absolutely breathtaking – gorgeous! There were so many boats out on the water – the weather was pretty much perfect the entire time I was in St. Augustine – and I could see the boats in the bay from the balcony outside my hotel room. It was impossible (well, almost) to tell the residents from the tourists because everyone was walking along the water in the sunshine. Handsome men were running shirtless, couples were taking leisurely strolls with cool beverages in hand. Such clichéd phrases don’t even do it justice, but they’re all I seem able to muster. I was – and still am – SO grateful, SO thrilled for the opportunity. It was AMAZING and I was continuously in AWE.

How did I ever come back to Jersey?

People in St. Augustine seemed – to me, anyway – to have MONEY – like Gatsby money, and I didn’t bring a laptop to a flipping writers’ workshop/conference (because I didn’t have one; couldn’t afford one). I momentarily felt like an utter moron, but I was okay. And the first thing I purchased with my tax return money was a laptop so I feel like EVEN MORE of a writer now.

Anyway, the first night in St. Augustine was marked by an informal, get-to-know-everyone-dinner. It was … interesting, tp say the VERY least. I went down to the hotel lobby around 7pm and sat outside and waited. Naturally, the others had gathered inside so when I awkwardly meandered in after creeping about the greenery, I met everyone.

Greg is a retired firefighter from the Midwest. Joanna published two novels twenty years ago, and has a house in Palm Beach and a house in the Hamptons. Paula was in medical communications but now she lives in Houston and I think she’s writing full time. Add me to the crew and we were the writers all staying at the hotel.

I instinctively liked Michael Neff, the editor. I hoped I made a good impression and toyed the line between desperate and casual, if such a line even exists. During dinner, I sat between Joanna and Noreene, who just flew in from the Grand Cayman Islands; completely chic and fabulous. I sat across from Doug from Cincinnati; he was hard to read at first, but shortly became one of my favorite people from the whole experience (he used to be a stand-up comedian and the last few days in St. Augustine, he made me laugh so hard, I cried and on top of that, he really is a phenomenal writer, so whatever. Maybe I’m mostly jealous; favorite might be too positive a word. But I’m just kidding. Maybe). Greg was across from me as was Literary Agent Paula (who I’m only referring to as such to differentiate her from Paula from Houston; don’t worry, I didn’t call her that or anything).

I LOVED Literary Agent Paula and on the first night, she gave me GREAT advice. I’ve subscribed to Publisher’s Marketplace, have decided to really focus on finding an agent, am endeavoring to attend more “pitch” conferences, and have decided to break away from Martin Sisters Publishing (the separation ended up being mutual … more on that later). But from listening to everyone talk about the conferences they’d been to and the important people they knew, I felt overwhelmed and realized I was greener than I thought. I was the youngest person there by decades. I knew I had the talent and the passion, but quickly began to understand that I needed the wisdom.

Cris is an author from California and Lunka is an aspiring writer with a full-time job (so we had a somewhat instant connection) from Denver; so cool.

So the next day (February 25th) marked the first REAL day of the conference/workshop. I was SCARED; I worked on my pitch for the novel I was currently working on (the title was stupid, so I’ll just call it The Duke Story [even though that’s also stupid]) the night before but still felt mostly nauseous. We met at a beautiful house right on the beach, and it was like something out of a movie or, even better, out of a dream. We sat in a circle and everyone read their pitches. It was so cool and interesting to see how everyone’s pitch matched their personality. I was really impressed with a couple of the stories, and everyone had something awesome to share … except me. At least that’s what it felt like, because my mood went from nauseated to dead when both Literary Agent Paula and Michael told me The Duke Story wasn’t marketable and encouraged me to work on “Don’t Drink the Water” (but that title is different now, too).

I felt deflated and was too wrapped up in my own shit to enjoy lunch at The Reef, but I did get to know Cris. When we returned to the house to wrap up the day’s session, Literary Agent Paula advised me to ask Hallie Ephron (ARE YOU KIDDING ME?) about the possibility of working on Her Beautiful Monster; Michael loved the title and wanted me to re-work it, but Literary Agent Paula was nervous because it had been published, has an ISBN number, and can easily be looked up … even though the publisher is so small it’s obscure. I felt lost and was happy to return to the hotel. Joanna drove Greg, Paula and me back to the hotel, but we stopped at Publix and the liquor store first. Paula and I needed some grocery items and we all needed booze after the first day. I happily joined them for the free happy hour at the hotel, and got to know Paula better. We sat on the porch swing outside of her room and talked a little bit about everything in our lives. Then I got to work on our assigned homework (identify five things that make our protagonist sympathetic, interesting, unique, etc. by showing, not telling). I used Charlotte from “Don’t Drink the Water” and did okay.

The second day (February 26th) was MUCH better for my ego, my soul, my passion. When I pitched “Don’t Drink the Water,” both Michael and Literary Agent Paula liked it. Then I went on to meet Robert Olen Butler and HE CHANGED MY LIFE. Throughout the course of our conversation, he validated my dream. He understood The Duke Story and my intention; he took the words right out of my mouth, the words I wished I had when I first pitched the story in front of everyone, and he told me he believed I could do it. I cried and hugged him. He is an amazing man and I will forever be indebted to him, no matter what comes of my so-called writing career.

After the conversation, I reworked my pitch and befriended Lunka. We had a spiritual connection as we were both really moved by our conversations with Robert and we exchanged numbers. I have a new writer friend 🙂 After the day’s schedule, Greg and I got dinner in downtown St. Augustine, and I drank and bonded with Joanna at the hotel’s happy hour. While we were there, we met HALLIE EPHRON. I tried to play it cool, but I was sweaty and I’m almost certain I mumbled and drooled instead of actually forming words. She couldn’t have been nicer. Michael brought her there to check her in and he stopped to say hello and encouraged me to do his online course after the workshop/conference. Spoiler alert: I definitely am.

The third day (February 27th) was INTENSE. The morning was actually low-key; we re-worked our pitches and shared our character traits of our protagonists. We all broke for lunch after, and I ate Chinese with Joanna, Paula and Greg. We shared a bottle of wine to calm ourselves because the second half of the day, we pitched our stories to Executive Editor Lyssa Keusch of HarperCollins Publishers (WHAT?! ARE YOU KIDDING ME?!), Brendan Deneen of Macmillan Entertainment (IS THIS REAL LIFE?!), and Hallie Ephron, the New York Times Best Selling Author (SERIOUSLY?!?!). It was a whirlwind and while I didn’t feel 100% about the experience, it was SO informational and beneficial.

To commemorate our last full day together in St. Augustine, we had dinner together and it was AMAZING, GREAT, WONDERFUL! Joanna and I became as thick as thieves, Doug made me laugh, and Noreene was as sweet as she was fabulous. Joanna and Greg and I drank together back at the hotel and Joanna convinced Lyssa to join us. SO EPIC. SO AWESOME.

All that was scheduled for our very last day (February 28th) were individual consults with Michael Neff. After each consult, the writer left amidst heartfelt goodbyes. My consult was GREAT; Michael was so helpful and encouraging. I left the conference/workshop with a definite purpose and direction and really, what more can a writer ask for? I am in the middle of research, of signing up for the novel development online course, and am beginning writing very soon.

So when I returned to Jersey all fired up, I emailed Martin Sisters Publishing to inquire about my second novel, MOODY BLUE. I had signed a contract and sent it back, but that was back in the final month of 2016 and had heard nothing back. As it turns out, they had no intention of publishing my novel (said they “…couldn’t give it the attention it deserves”) and offered to send it to an even smaller online publisher.

I told them not to bother, but thanked them for everything. I emailed Literary Agent Paula, Michael, and have begun to query agents once again.

Here we go.

Below are links to Joanna’s website and Doug’s website.
JoannaElm.com
DougSpakWrites.com

And I’m sharing some pictures below.

Prompts start again next week … I promise!

On seeking salvation from loneliness.

Published June 30, 2015 by mandileighbean

I know I need to update this blog more than once a month. My writing is becoming stale; my literary muscle is in a state of atrophy due to lack of use. I have no excuse.

I wonder how many writers believed themselves to be prophetic. I don’t mean in the pretentious sense, but in a way that can be validated, where predictions are not obvious or bluntly stated, but hidden beneath authentic literary merit. I mean in the way where plot and reality align too much to be mere coincidence. This topic has piqued my interest as of late because the ending of my second novel Moody Blue – which has yet to find either a literary agent or publisher for representation – ends in nearly the exact same way the real life source of inspiration is ending. It knocked me on my ass, to be sure, and I’m sure this post, with its assertion that I’m some kind of prophet, that all of this is a way to make it romantically tragic instead of just melodramatic and sad. Rather than admit I was fooled and manipulated, it’s grander to say I knew someone so well that I saw what was coming and used it in my writing to heal the wounds. I suppose it was more like seeing the approach of headlights and stepping into the middle of the street anyway because a beautiful, brooding man is on the other side, smiling seductively. As I stepped into the road, I knew that I was never, ever going to reach my desired destination, that I’d end up alone and as so much carnage that others will drive over without much notice, but I did it anyway because that smile made me believe things were changing, and that I just might make it. That smile became an all-purpose excuse for all the stupid, selfish, asinine things I did.

“This is my least favorite life, the one where I am out of my mind. The one where you’re just out of reach. The one where I stay and you fly.” 

But I suppose I’ll be okay.  

“I’m never alone. I’m alone all the time.”

I lead a very lonely life. I used to be ashamed to admit it, but I once heard that some are meant to be happy, while others are mean to be great. Thus, my only means of survival, of staying both sane and optimistic, are believing that everything happens for a reason, and that this is my path, for better or for worse. I must entertain the possibility that where I am destined to end up may not be warm and bright with smiling faces. I might have to be cold and alone to be great, to fulfill my potential. Maybe all the tragedy I’ve spent romanticizing for so long is all mine to keep.

Hell, even Gatsby knew he could only climb alone.

Writing Prompt #23: The figure in a famous painting begins communicating with an art museum patron.

The museum was clearing out. The few presumably pretentious patrons were shuffling towards the exits in shiny, expensive shoes that reflected their pinched faces of their respective owners. They all looked so important, raising the collars of impressive and fashionable coats against the cold, sharp February winds raging outside. The ladies adjusted their gloves to better cover and protect their delicate wrists against the bitter cold, while the gentlemen held the doors open, allowing the ladies to pass through with strong and protective hands on the smalls of their backs. Once outside, facing the elements, these fine, cultured gentlemen enveloped their classy, educated ladies in their arms and together, the pairs scurried to remarkably expensive vehicles, a Lexus there, a Mercedes Benz here, and a few BMWs for good measure. It seemed that everyone at the art gallery was impossibly intelligent, filthy rich, and happily in love. They did not rage against the dying of the light as the sun’s last rays burned bright and fierce through the large picture windows that surrounded the art gallery. It seemed that all were perfectly content to go gentle into the good night because they were not alone. They loved and were loved, and that was all that mattered.

Or maybe that’s just how it seemed to Olivia because she was alone – single and bitter – on Valentine’s Day. After all, wasn’t there some saying about everything looking like a nail when one feels like a hammer?

It had been foolish to venture out into public on the absolute worst of manufactured holidays. Olivia knew her day would be one long and agonizing observation of all kinds of public displays of affection, ranging from sweet (the elderly man who did his best to straighten his fingers gnarled with arthritis only to entwine them with his wife’s as they rode the bus to the city) to obnoxious (the sweaty, nervous-looking man who coordinated a lame, disappointing flash mob as means of proposing to a doughy woman too stupid to know any better and readily accepted) to grotesque (the teenage couple mauling each other while waiting in line at the local coffee shop, covering themselves in each other’s DNA in the disgusting way that only adolescents can). Begrudgingly, Olivia would admit it was the masochist within her that encouraged and eventually convinced her to journey to the art gallery. Later, when the pain began to subside and she was safe in her home, in sweatpants with wine and Chinese food that had been delivered some time ago, she could realize that being surrounded by affection was a good thing, nearly tangible evidence of its existence, that it was real and could happen to anyone at any time; she only needed to be patient. But in all honesty, her reason for going to the art gallery was not so romantic or noble, but just desperate and obvious. She only went there because there was a chance – a good chance, a fighting chance – that Scott would be there.

He had taken her there on several occasions, holding doors open and bundling her against the cold.

That had ended some weeks ago, but Olivia was a fool, the worst kind of fool who believes chance encounters could be manufactured, who believes hope comes from an ever-replenished spring and who believes chances are unlimited. She had convinced herself that if Scott saw her again, he’d believe it was fate and he’d give her a few precious moments to make her case as to why they belonged together. Olivia flat-out refused to believe Scott could feel or think any way other than the way she wanted – needed? – him to and on her best days, she could claim a romantic optimism, but more often than not, she knew better. It was pathetic and desperate.

Olivia had arrived at the gallery upon opening. She made herself comfortable, draping her coat over her arms crossed casually over her chest and meandering through the aisles slowly, languidly, always thinking, thinking, thinking. She had purchased lunch in their adjoining cafe, unwilling to leave the premises because she knew with a supernatural certainty that the moment she did, Scott would arrive and her last chance would be blown. Olivia didn’t eat much, but thoroughly enjoyed the complimentary wine and cheese despite the glowering looks from the supervising employee who quickly realized Olivia was only loitering and taking more than her fair share. The employee was able to remain smug because he rightly assumed that Olivia was a fraud, a dopey woman who probably couldn’t name a single artists featured in the gallery’s collection, let alone the title of one of the masterpieces.

And that was all true; Olivia didn’t know anything about art. So there she was, alone in an art gallery five minutes before closing, standing before some oil painting with tears in her eyes. Scott had not appeared, had not wrapped her in his arms, had not made everything okay. “Oh my God,” she said to no one at all. “I am so, so stupid.” Her voice cracked, broke, and the tears began to fall freely. “He doesn’t miss me, does he?” she asked, but there was no one there to answer, especially not Scott.

The painting before Olivia was of a young man in riding clothes, posing in some wild-looking garden. He had dark features and a very serious expression. The painting was generic and unremarkable, and Olivia found it all so fitting. What better place for her to have an emotional breakdown than in front of a random painting? Only truly great women could sob before the Mona Lisa.

Olivia released a shuddering breath. “I loved him. I loved him very much, and I should have made sure he knew that.” She wiped at her nose. “I just tried so hard to be cool, to not cling to him, to finally be the one who wasn’t so obviously at the mercy of the other person in the relationship. I wanted power and control more than I wanted him.” She sobbed. “But that was wrong, and I was wrong. I guess he mistook all that for indifference, thought I didn’t care, and now he’s gone.” She rubbed her eyes, smearing mascara and eyeliner without so much as a passing thought to her appearance. “I just wanted things to work out this time, this one time. I wanted it to be different. But here I am!” she exclaimed, clapping her hands before her and allowing her coat to fall to the marble floor. Her tone was now cold, sarcastic. “I’m alone on Valentine’s Day and I’ll probably die this way.” Ashamed and suddenly overwhelmed by self-pity, Olivia covered her face with her hands. She cried against her palms, unintelligibly begging for some divine intervention, for salvation from loneliness. She cursed Scott and his new girlfriend (which Olivia assumed he must have – what else kept someone busy on Valentine’s Day?) and then cursed herself for cursing Scott, for being petty and stupid. She berated herself into some state of composure, then allowed her hands to fall to her sides. Once more, she faced the painting.

A guttural scream exploded from her lips and reverberated back to her from the empty aisles as a terrifying sound, so Olivia knew she had to make it stop lest she scared anyone else. She clasped her hands over her mouth and stared with wide, petrified eyes at the painting that had changed, that had most certainly changed, that had definitely changed. The young man featured front and center had turned, had somehow shifted to directly face Olivia. His expression had drastically softened, like he was sympathetic to her pathetic whimpering. In his right hand was a dark red rose. Olivia could easily and readily identify which bush it had come from.

Olivia looked about wildly, curious if her outburst had attracted any attention at all. No one appeared to be rushing over. There were no strangers nearby to validate the impossible event she had just witnessed. Should she call someone over? Would she be believed? Would anyone else see what she was seeing? She returned her gaze to the painting.

Olivia thought she was going to vomit and then pass out, simply keel over. The painting had changed again.

The young man was smiling kindly, very kindly, in a way that almost calmed Olivia, who was on the verge of becoming hysterical. His arms were spread wide, as if he were offering her something. Guided by an unfamiliar instinct, Olivia looked at the floor beneath the painting. There lay the dark red rose the young man had been holding.

Slowly, breathing deeply, Olivia bent to retrieve the rose. The stem was covered in thorns, real enough that Olivia pricked her pointer finger and it began to bleed. The petals were soft and the fragrance was strong. It made Olivia smile. In spite of the lunacy, the sheer insanity of it all, Olivia smiled. She looked to the young man in the painting to thank him, but the expression of gratitude died on her lips. The painting was as it was before, as it should be. Olivia gasped. It was so bizarre that she was transfixed, unable to look away. She reached out her free hands, the one not holding the rose, to touch the painting, to ascertain if it was real, or if there might be some technological trickery at work.

A throat cleared itself behind her.

Nearly screaming aloud again, Olivia wheeled around to find the employee who had been so stingy with the wine and cheese standing behind her. “Ma’am, don’t touch the paintings,” he instructed in a bored tone of voice. “Also, we’re closing now. You’re going to have to leave.”

“Oh, oh, okay,” Olivia mumbled, pale and confused. The employee, seemingly oblivious to Olivia’s distress, turned away. He trotted down the hall, and Olivia scooped up her coat, careful not to lay eyes on the painting in case it changed again, in which chase she would have a heart attack and die. She hurried to the exit, but not before she mumbled a hurried and terribly confused, “thank you.”

The young man in the painting smiled but there was no one there to see it.

hc single valentine's day

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