Posts

All posts tagged Posts

On seeking salvation from loneliness.

Published June 30, 2015 by mandileighbean

I know I need to update this blog more than once a month. My writing is becoming stale; my literary muscle is in a state of atrophy due to lack of use. I have no excuse.

I wonder how many writers believed themselves to be prophetic. I don’t mean in the pretentious sense, but in a way that can be validated, where predictions are not obvious or bluntly stated, but hidden beneath authentic literary merit. I mean in the way where plot and reality align too much to be mere coincidence. This topic has piqued my interest as of late because the ending of my second novel Moody Blue – which has yet to find either a literary agent or publisher for representation – ends in nearly the exact same way the real life source of inspiration is ending. It knocked me on my ass, to be sure, and I’m sure this post, with its assertion that I’m some kind of prophet, that all of this is a way to make it romantically tragic instead of just melodramatic and sad. Rather than admit I was fooled and manipulated, it’s grander to say I knew someone so well that I saw what was coming and used it in my writing to heal the wounds. I suppose it was more like seeing the approach of headlights and stepping into the middle of the street anyway because a beautiful, brooding man is on the other side, smiling seductively. As I stepped into the road, I knew that I was never, ever going to reach my desired destination, that I’d end up alone and as so much carnage that others will drive over without much notice, but I did it anyway because that smile made me believe things were changing, and that I just might make it. That smile became an all-purpose excuse for all the stupid, selfish, asinine things I did.

“This is my least favorite life, the one where I am out of my mind. The one where you’re just out of reach. The one where I stay and you fly.” 

But I suppose I’ll be okay.  

“I’m never alone. I’m alone all the time.”

I lead a very lonely life. I used to be ashamed to admit it, but I once heard that some are meant to be happy, while others are mean to be great. Thus, my only means of survival, of staying both sane and optimistic, are believing that everything happens for a reason, and that this is my path, for better or for worse. I must entertain the possibility that where I am destined to end up may not be warm and bright with smiling faces. I might have to be cold and alone to be great, to fulfill my potential. Maybe all the tragedy I’ve spent romanticizing for so long is all mine to keep.

Hell, even Gatsby knew he could only climb alone.

Writing Prompt #23: The figure in a famous painting begins communicating with an art museum patron.

The museum was clearing out. The few presumably pretentious patrons were shuffling towards the exits in shiny, expensive shoes that reflected their pinched faces of their respective owners. They all looked so important, raising the collars of impressive and fashionable coats against the cold, sharp February winds raging outside. The ladies adjusted their gloves to better cover and protect their delicate wrists against the bitter cold, while the gentlemen held the doors open, allowing the ladies to pass through with strong and protective hands on the smalls of their backs. Once outside, facing the elements, these fine, cultured gentlemen enveloped their classy, educated ladies in their arms and together, the pairs scurried to remarkably expensive vehicles, a Lexus there, a Mercedes Benz here, and a few BMWs for good measure. It seemed that everyone at the art gallery was impossibly intelligent, filthy rich, and happily in love. They did not rage against the dying of the light as the sun’s last rays burned bright and fierce through the large picture windows that surrounded the art gallery. It seemed that all were perfectly content to go gentle into the good night because they were not alone. They loved and were loved, and that was all that mattered.

Or maybe that’s just how it seemed to Olivia because she was alone – single and bitter – on Valentine’s Day. After all, wasn’t there some saying about everything looking like a nail when one feels like a hammer?

It had been foolish to venture out into public on the absolute worst of manufactured holidays. Olivia knew her day would be one long and agonizing observation of all kinds of public displays of affection, ranging from sweet (the elderly man who did his best to straighten his fingers gnarled with arthritis only to entwine them with his wife’s as they rode the bus to the city) to obnoxious (the sweaty, nervous-looking man who coordinated a lame, disappointing flash mob as means of proposing to a doughy woman too stupid to know any better and readily accepted) to grotesque (the teenage couple mauling each other while waiting in line at the local coffee shop, covering themselves in each other’s DNA in the disgusting way that only adolescents can). Begrudgingly, Olivia would admit it was the masochist within her that encouraged and eventually convinced her to journey to the art gallery. Later, when the pain began to subside and she was safe in her home, in sweatpants with wine and Chinese food that had been delivered some time ago, she could realize that being surrounded by affection was a good thing, nearly tangible evidence of its existence, that it was real and could happen to anyone at any time; she only needed to be patient. But in all honesty, her reason for going to the art gallery was not so romantic or noble, but just desperate and obvious. She only went there because there was a chance – a good chance, a fighting chance – that Scott would be there.

He had taken her there on several occasions, holding doors open and bundling her against the cold.

That had ended some weeks ago, but Olivia was a fool, the worst kind of fool who believes chance encounters could be manufactured, who believes hope comes from an ever-replenished spring and who believes chances are unlimited. She had convinced herself that if Scott saw her again, he’d believe it was fate and he’d give her a few precious moments to make her case as to why they belonged together. Olivia flat-out refused to believe Scott could feel or think any way other than the way she wanted – needed? – him to and on her best days, she could claim a romantic optimism, but more often than not, she knew better. It was pathetic and desperate.

Olivia had arrived at the gallery upon opening. She made herself comfortable, draping her coat over her arms crossed casually over her chest and meandering through the aisles slowly, languidly, always thinking, thinking, thinking. She had purchased lunch in their adjoining cafe, unwilling to leave the premises because she knew with a supernatural certainty that the moment she did, Scott would arrive and her last chance would be blown. Olivia didn’t eat much, but thoroughly enjoyed the complimentary wine and cheese despite the glowering looks from the supervising employee who quickly realized Olivia was only loitering and taking more than her fair share. The employee was able to remain smug because he rightly assumed that Olivia was a fraud, a dopey woman who probably couldn’t name a single artists featured in the gallery’s collection, let alone the title of one of the masterpieces.

And that was all true; Olivia didn’t know anything about art. So there she was, alone in an art gallery five minutes before closing, standing before some oil painting with tears in her eyes. Scott had not appeared, had not wrapped her in his arms, had not made everything okay. “Oh my God,” she said to no one at all. “I am so, so stupid.” Her voice cracked, broke, and the tears began to fall freely. “He doesn’t miss me, does he?” she asked, but there was no one there to answer, especially not Scott.

The painting before Olivia was of a young man in riding clothes, posing in some wild-looking garden. He had dark features and a very serious expression. The painting was generic and unremarkable, and Olivia found it all so fitting. What better place for her to have an emotional breakdown than in front of a random painting? Only truly great women could sob before the Mona Lisa.

Olivia released a shuddering breath. “I loved him. I loved him very much, and I should have made sure he knew that.” She wiped at her nose. “I just tried so hard to be cool, to not cling to him, to finally be the one who wasn’t so obviously at the mercy of the other person in the relationship. I wanted power and control more than I wanted him.” She sobbed. “But that was wrong, and I was wrong. I guess he mistook all that for indifference, thought I didn’t care, and now he’s gone.” She rubbed her eyes, smearing mascara and eyeliner without so much as a passing thought to her appearance. “I just wanted things to work out this time, this one time. I wanted it to be different. But here I am!” she exclaimed, clapping her hands before her and allowing her coat to fall to the marble floor. Her tone was now cold, sarcastic. “I’m alone on Valentine’s Day and I’ll probably die this way.” Ashamed and suddenly overwhelmed by self-pity, Olivia covered her face with her hands. She cried against her palms, unintelligibly begging for some divine intervention, for salvation from loneliness. She cursed Scott and his new girlfriend (which Olivia assumed he must have – what else kept someone busy on Valentine’s Day?) and then cursed herself for cursing Scott, for being petty and stupid. She berated herself into some state of composure, then allowed her hands to fall to her sides. Once more, she faced the painting.

A guttural scream exploded from her lips and reverberated back to her from the empty aisles as a terrifying sound, so Olivia knew she had to make it stop lest she scared anyone else. She clasped her hands over her mouth and stared with wide, petrified eyes at the painting that had changed, that had most certainly changed, that had definitely changed. The young man featured front and center had turned, had somehow shifted to directly face Olivia. His expression had drastically softened, like he was sympathetic to her pathetic whimpering. In his right hand was a dark red rose. Olivia could easily and readily identify which bush it had come from.

Olivia looked about wildly, curious if her outburst had attracted any attention at all. No one appeared to be rushing over. There were no strangers nearby to validate the impossible event she had just witnessed. Should she call someone over? Would she be believed? Would anyone else see what she was seeing? She returned her gaze to the painting.

Olivia thought she was going to vomit and then pass out, simply keel over. The painting had changed again.

The young man was smiling kindly, very kindly, in a way that almost calmed Olivia, who was on the verge of becoming hysterical. His arms were spread wide, as if he were offering her something. Guided by an unfamiliar instinct, Olivia looked at the floor beneath the painting. There lay the dark red rose the young man had been holding.

Slowly, breathing deeply, Olivia bent to retrieve the rose. The stem was covered in thorns, real enough that Olivia pricked her pointer finger and it began to bleed. The petals were soft and the fragrance was strong. It made Olivia smile. In spite of the lunacy, the sheer insanity of it all, Olivia smiled. She looked to the young man in the painting to thank him, but the expression of gratitude died on her lips. The painting was as it was before, as it should be. Olivia gasped. It was so bizarre that she was transfixed, unable to look away. She reached out her free hands, the one not holding the rose, to touch the painting, to ascertain if it was real, or if there might be some technological trickery at work.

A throat cleared itself behind her.

Nearly screaming aloud again, Olivia wheeled around to find the employee who had been so stingy with the wine and cheese standing behind her. “Ma’am, don’t touch the paintings,” he instructed in a bored tone of voice. “Also, we’re closing now. You’re going to have to leave.”

“Oh, oh, okay,” Olivia mumbled, pale and confused. The employee, seemingly oblivious to Olivia’s distress, turned away. He trotted down the hall, and Olivia scooped up her coat, careful not to lay eyes on the painting in case it changed again, in which chase she would have a heart attack and die. She hurried to the exit, but not before she mumbled a hurried and terribly confused, “thank you.”

The young man in the painting smiled but there was no one there to see it.

hc single valentine's day

On longing to be trendy.

Published February 25, 2013 by mandileighbean

“The life of every man is a diary in which he means to write one story and writes another.”

– James Matthew Barrie

This week’s way to blast my blubber was to use time wisely; if there are only 30 minutes free in your daily schedule, use it to pack a nutritious lunch and to closely watch what you eat, rather than try to squeeze in a workout. I usually stick to that rule, but this week, I worked harder to make sure I did not go over my daily calorie limit. As a result, I lost three pounds this week. My confidence is bolstered and my determination has more than doubled. So please ignore the fact that I am currently contradictorily snacking on some Funyuns.

My colleague, Jill Ocone, is such an inspiration. She is truly following her passion, regardless of cost. She stopped living to work, stopped being consumed by work at home. There is no reason why I cannot do the same.

photocone

Sometimes, when I am running in the morning, I try very, very hard to find the moon in the sky. I make myself dizzy by searching in spinning circles, neck bent uncomfortably backwards, and though there are plenty of stars to go around, I cannot find the moon.

Sometimes, when I am running in the morning, it is so frigid that my iPod’s battery is completely drained after about 20 minutes. I do not usually get rattled on my morning walk and jog, but with no contemporary music to drown them out, I become aware of the creepiest sounds. The wind makes the branches of the trees creak and groan. A few American flags snap in wavelengths. A dry, crunchy leaf scuttles across the barren pavement – the perfect horror movie soundtrack and every now and again, I snap my neck this way and that in a futile attempt to determine the cause of some noisy disturbance in the blackness around me. Was the snapping of a twig merely evidence of movement by some furry, cuddly woodland creature, or something more sinister, if, in fact, it even existed at all?

I think I need to indulge in writing some fan fiction again; it can inspire something of literary merit. Many borrow characters and plot lines and images to create a foundation for something new. Currently, I am thinking of “True Blood;” I know vampires are passé, but I keep having this recurring image of a beautiful but battered young woman with a bruised and broken body and beaten face. She is sitting in the front pew of an old and tiny church, at the end. She has been crying, sitting and staring straight ahead with dead, vacant eyes for presumably hours. Then, a devastatingly handsome man – or monster? Or a creature? – suddenly appears, standing in the carpeted aisle beside her. He looks concerned and seems genuine, but her response is icy cold: “You don’t belong here.”
It’s not like her to be cruel, especially not to him, so he deflects her verbal barb with an easy smile and explains, as he has done many times before, that vampires not being able to enter churches in actually a myth, and he’s about to begin a long-winded explanation when she cuts him off.
Misunderstood, she nearly snarls to clarify that she knows damn well that he can be there, but she does not want him there. She has wounded him and it shows all over his face.
“I’m not the one who beat the shit out of you. Why are you so pissed at me?” Though her body language is coming through loud and clear that she wants to be left the fuck alone, he sits beside her. Begrudgingly, she moves for him.
And I want her to unravel – tell him EVERYTHING. Her boyfriend, a bartender who is slowly but surely developing a drinking problem, got loaded and hit her. It has never happened before and she believes her boyfriend is really and truly sorry, but everything is different now and that is sad and scary. She was trying to help him, to be loving and supportive and all the good things, but she still got rocked. In her moment of weakness, she is bitter and vengeful and hateful. It is unlike her, and it makes him nervous. He is not easily rattled and his change in demeanor is not lost on her, though her demeanor is changing as well. She asks him if he’s all right, seamlessly slipping back into old habits and tired behavior.
He laughs without much humor and says that he’s fine, that she shouldn’t give a damn if he’s fine or not, and that maybe she should be more vicious and guarded, like it might not be such a bad thing. She nods and wipes her eyes. Silence falls over them and he feels as if he needs to break it, so he asks her how long she’s been there.
She shrugs and says nothing.
He suggests they leave and go somewhere else.
“Why?”
“Because, honestly, you’re just sitting and stewing in your misery and that solves nothing- it only begets more misery.”
“What could we do?”
It’s an innocent question, but the answers that immediately spring to his mind are not. He takes a second to compose himself because he doesn’t want to scare her; she is good and pure and that is what he likes – loves? – about her. He has to protect it; he has to keep it safe. “Where have you always wanted to go, but have never been?” “France,” she answers without hesitation, like she’s simply been waiting to be asked that very question.

“… if you’d only asked me.”

“If I don’t ask you, would you ever think of asking me?”

truebloodbilleric

I am always surprised (whether it is pleasant or not has yet to be determined) by which blog posts garner the most attention and end up receiving the largest amount of views. The last entry I posted was personal and somewhat pessimistic, kind of made me seem shallow and pitiful, and has more views than the short story I wrote. A wonderfully caring colleague sent me a Facebook message absolutely dripping with sympathy and a classmate whom I have not seen nor spoken to in years, left an encouraging, empathetic and appreciated comment on my blog. These things surprise me.

I guess it’s like that part in the movie “The Breakfast Club,” where Basket Case Allison dumps all her baggage – literally and metaphorically – on the couch, thereby inviting everyone into her problems. So it’s unreasonable then for her to be angry when people comment, offer advice, and so on and so forth. It’s just that I honestly was not looking for pity, sympathy, or attention – I was just purging thoughts, just writing. It is a fine line between my private self and public self and balancing how I see myself against how others do. I know I shouldn’t care, but I do and that’s how I am, take it or leave it.

bcluballison

I have a deplorable habit of being interested in men whom I cannot have – the distance keeps me safe from rejection, and it keeps me romantically tragic.

I need to start reading Stephen King again.

When it’s rainy, I want to stay in my bed, curled beneath the covers.

The roses in my classroom are dying.

roses

Why am I always so negative?

A radio station contacted me back! It is run by a high school in Atlantic City. It will most likely have an incredibly small audience, but it will be more of an audience than I have now.

My second royalty check came for the month of December: $23. 22; one print book and nine Ebooks.

The Manchester Branch of the Ocean County Library forwarded my information to the larger – and frankly, better – Toms River branch. I am hopeful.

Yesterday, I ventured to Brooklyn with a friend to attend a bridal shower. It was wonderfully trendy and beautifully artsy. The music completed the atmosphere perfectly and I never wanted to leave. I made plans to travel to Paris, fell in love with love all over again, and yearned to be more creative and artsy in everything I do. It was an awesome shower.

signbrokenmirrorfoodtabledessertscakefavorsfavoritecornermeandlee

On being in love with every actor.

Published February 19, 2013 by mandileighbean

stupidcupid

“I never let what happened stay in the past.”

I was better than I usually am on Valentine’s Day this year – I remained cheery and optimistic until the next day.  I woke up, logged onto Facebook, and was immediately inundated with nauseatingly adorable gifts and status updates.  Without the students to exaggerate the negativity and thereby make it unattractive and absurd, a bitter taste filled my mouth and I instantly felt blue.  I am sure the Radiohead song playing softly in the background did not help.

On top of that, I did not lose a single pound for the second week in a row.  I only have myself to blame because I have not been counting my calories like I should.  I can try and blame it on my menstrual cycle or stress (teacher evaluation workshops, the backdrop for the play falling over), but the truth is that I have been weak.  I am disappointed in myself.  I am ashamed.

Saturday morning, I watched a good-sized portion of the movie “Mannequin” while eating breakfast.  When I was younger (and only slightly more impressionable than I am now), I was absolutely obsessed with the movie.  Reasons for my obsession seem obvious – such as Andrew McCarthy at his most vulnerable, quirkiest, and most appealing – but upon deeper reflection, it is so much more than that.  There is something dangerously intoxicating about what one creates loving its creator in a singular, unique, and romantic kind of way; like creative types can cure their own loneliness and save themselves.  That aspect of the “fairy tale” is reassuring but at the same time, it is worrisome because does it not suggest that those same quirky, odd, different, creative people cannot find romance organically?  Unless there is some kind of divine intervention or fantastical happenings, are weirdoes never to find love?  Maybe that’s why the first blog I created to promote my writing was titled “Letters to Eliot” and was comprised of nothing more than pathetic and embarrassing love letters to a fictional character of my own creation.  Is that really so different from falling in love with a mannequin?  At least the mannequin was tangible and at least it came to life and at least it loved its creator back and at least they lived happily ever after.

mannequinmccarthy

Regardless of the deeper meta-fictional meanings of “Mannequin,” (or if they even exist) I am once again infatuated with Andrew McCarthy.  I keep playing the scene where we met over and over again – the way I made him turn to me and smile, the way I made him laugh, his inexhaustible charm, and the strength of his embrace when he hooked me around my waist and pulled my close.  It was like it was scripted, which is why I am so disappointed in its lack of an ending.  That same Saturday night, Hallmark Channel aired a new romantic comedy which was unbearably corny, but it starred Andrew McCarthy as a brooding cowboy and naturally, I was enthralled.

I also watched a 45-minute documentary about Elvis Presley called, “Elvis: Summer of ’56.”  It was all about this girl named June Juanico and her relationship with Elvis.  It was surreal to hear her describe how he pulled her aside after a show and kissed the back of her neck, of how he called and wrote, and how she felt comfortable enough with Elvis to adjust his belt.  It is incredible to think anyone could have genuine, intimate moments with the King of Rock and Roll.  June understood that sentiment; she called it quits after Elvis was rumored to be involved with Natalie Wood (and who could blame her?  There’s no competing with Natalie Wood!)  And believe it or not, it seems that even Elvis understood the sentiment because when speaking of the insane amount of screaming, crying girls, he said, “They don’t love me, they love the idea of me.”   I am going to include that in my second novel or die trying.

elviskissing

Sunday was a great day.  It was Dad’s 52nd birthday, so I am especially glad that it was beautiful and bright, albeit windy and cold.  We all went to Mass together.  Mikey faked (I think) a stomach ache and did not join us for the Olive Garden.  I had many glasses of wine, too much pasta, and I laughed heartily.  Most importantly, Dad enjoyed himself.  On the way home, he tried to freeze Sam and I out by rolling all the windows down and locking them in place because Sam and I had been good-naturedly tormenting Mom (flicking her ears and whatnot).  I tried to distract Dad by giving him a Wet Willy in his right ear so Sam could sneakily slide her arm between the left side of Dad’s seat and the door and unlock the windows.  My efforts failed, but Sam managed to reach the controls for Dad’s seat, so she moved him up and forward, shoving the steering wheel into his chest and the tops of his thighs.  He looked silly and absurd and wildly uncomfortable.  We all laughed until we couldn’t see straight.

Upon arriving home, we descended upon the furniture in the living room.  Dad lounged across the love seat, Mom claimed the chair and I was solo, sitting upon the sofa, until Sam came and lay down, stretching her legs over me.  We were all comfortable, we were all watching “Cat on a Hot Tin Roof” and we were all together.  It was a beautiful day.

paulnewman

elizabethtaylor

Paul Newman’s blue eyes and Elizabeth Taylor’s violet eyes were just as glorious as the sky I observed while walking and jogging that night.  The wind made me feel young and restless and wild, like it kicked up all the old, dry negativity within me and swirled it so that when it settled once again, it was something more like optimism and vitality.  The quickened pace of the blood in my veins and of the air in my lungs, with the moon nearly directly over my head so that I had to awkwardly crane my neck to see it, with the tiny, twinkling stars, and with the darkening, layered shades of blue of the evening sky, made me feel incredibly grateful to be alive.  That night, I fell in love with life, and with love, and with possibility.

I want to fall in love this summer.

I have been highly critical of the band Fall Out Boy in the past, but I’ll be damned if they didn’t have some fantastic lines.

“I thought I loved you, but it’s just how you looked in the light.”

“I could write it better than you’ve ever felt it.”

Sixth way to blast my blubber: write a list of reasons why I want to lose weight:

–          I want to be as beautiful on the outside as I am on the inside.

–          I want to be appealing to beautiful men.

–          I want to be noticed by beautiful men when I go out.

–          I want to feel sexy.

–          I want to look sexy.

–          I want to be healthy.

–          I want to have more energy.

–          I want to live longer.

–          I want to finally lose the weight and prove myself wrong.

–          I want to better myself and improve.

–          I want how I envision myself to be reality.

–          I don’t want to feel ugly around my beautiful friends.

–          I want to feel better about myself and feel confident.

–          I want to be the full package; funny, smart and pretty.

–          I want to change my life.

%d bloggers like this: