Romance

All posts tagged Romance

On being random, dismantling and finally updating.

Published June 27, 2016 by mandileighbean

It’s been over two months since the last time I posted, and there’s nothing I want more than to tell you I’ve been doing wonderfully interesting things, that I’ve been really and truly living. But that would be a hyperbole. I’ve been alive, yes, and I’ve done some fun things, yes, but nothing that should keep me from writing.

So let’s catch up, shall we?

I haven’t lost any weight, but I have gained some. I haven’t really been trying, as I’ve felt mostly unmotivated and uninspired lately. Is this summertime sadness? Is this some looming emotional, existential crisis that has finally landed? Am I just melodramatic? Rather than answer these questions, I usually eat a bag of potato chips (the ones that say “Family Size”) and fall asleep on my couch.

I think I’ve identified one behavior that needs to change.

I wish I had a camera that could take quality pictures of the moon and do its beauty justice.

“A heart that hurts is heart that works.”

I don’t fantasize about sex. I fantasize about intimacy; how sad is that?

I think a duck must have a perfect life. They just float on, no matter if the water is calm or choppy. They can take off and fly whenever they want. If the only dunk their heads in the water, they have food. It’s simple and free, and I am envious.

I am done romanticizing broken men, as if loving them adds something noble to my character.

“I don’t hold grudges. I believe that’s the shit that leads to cancer.”

The school year ended on a high note. The senior events I was charged with helping to plan (Mr. Manchester, Senior Prom, graduation) all went off without a hitch. I am proud of the work I’ve done.

“Nothing is ever over.”

I really need to use my upstairs more. I don’t have central air though, so during the summer, the temperature is almost unbearable up there. So I’m in pretentiously self-proclaimed “office,” but it’s dark in here. It’s really dark in my house. I’ll say it’s to keep it cool, since I don’t have central air, but in all honesty, it’s because I’ve been too broke to afford light bulbs and now that I do have money, I’m simply too lazy to buy some and replaced the old ones.

“I know what I want, and I don’t mind being alone.”

It’s really dark in my house. I’ll say it’s to keep it cool, since I don’t have central air, but in all honesty, it’s because I’ve been too broke to afford light bulbs and now that I do have money, I’m simply too lazy to buy some and replaced the old ones.

This is what a successful adult looks like, no?

The literary agent who requested the first fifty pages rejected me, but my original publisher is still thinking about it. What’s that saying, when God closes a door, He opens a window? I’m feeling ambivalent to everything, mostly because I’m sunburned and it hurts so I’m cranky.

I like collecting little, seemingly unimportant details of the people in my life to better craft my characters.

When school was in session, I realized that the worst thing about leaving my house each weekday morning wasn’t having to bid adieu to my comfortable bed and its cozy covers, but that I miss the early sunlight streaming through the windows and lighting the wooden floors. It’s beautiful, and I was sad I could never just sit and admire it. But now I can. I think that’s how life is supposed to work.

I do this thing sometimes where I just sit in my car. I might leave the engine running, or I might shut it off, but either way, I sit in the driver’s seat, scrolling through the social media garbage on my phone or playing Tetris. It’s wasting time, one of the most precious gifts, and I hate it. I don’t know why I do it. Is it exhaustion? Is it moodiness? I abhor how lazy I am. I had an idea for a scene for my third novel, but the details have faded. I remember it had something to do with a modest, upstairs library and someone watching on anxiously as someone else carefully surveyed the titles. I wanted to throw in visiting a favorite author’s grave, but there was definitely more to it, like dancing or something? I need to write things down more often … obviously.

“Wanting it doesn’t make you the monster, taking it does.”

Some days, I just waste the hours until I can go back to sleep.

“You can fail at what you don’t want to do, so you might as well do what you love.”

I’ve been in a miserable sort of funk, so I’m endeavoring to change my life. My friend thinks I need to be comfortable alone before I can be comfortable with someone. She recommended hiking, picnicking, wine on the beach, seeing movies, and getting coffee. I also think I should leave the state. I’ve been dying to go to Key West in Florida. This summer, I’ve decided to dismantle myself from the inside out, rebuilding to be more carefree, more creative, more in love with myself and less dependent on others. Some days, I have to talk myself into getting out of the shower, and even then, I change into pajamas.

But I’m trying to be positive, I swear. I’ve begun keeping a running list of things that make me happy to be alive (in no particular order).

  • fireworks on a summer night
  • driving my Jeep without its roof and doors
  • sunburn (as long as it turns tan)
  • books (even the shitty ones because they’re non-examples for my career)
  • clean sheets
  • hot showers
  • food, glorious food!
  • running and being sweaty after a run because it helps me to love my body
  • good movies
  • laughing
  • the national pride fearlessly displayed by soccer fans

“The effect you have on others is the greatest currency you’ll ever have.”

I recently lost a banana for 24 hours.

“I’m ripe with things to say. The words rot and fall away.”

So, here’s an excerpt from the novel I’m working on. You should hit “play” on the video that follows now, so you can have a soundtrack. Ironically, the song playing is not the one I quote in the paragraph that follows. I wish I knew why I do the things that I do.

“The thing about things is that they can start meaning things nobody actually said, and if he couldn’t make something mean something for me, I had to make up what it meant.”
– Amanda Palmer

Kelly dropped the box filled with odds and ends concerning the kitchen with an exaggerated, dramatic sigh of relief. The box landed on Charlotte’s tiny, cheaply and poorly made kitchen table, a piece of furniture she had salvaged from her grandmother’s home, a piece that had likely been in the home for forty years – a horrible blend of Formica and putrid pastels. For a moment, Charlotte had been hopeful the weight of the box would crush the table and put the ugly thing out of its misery, but she had no such luck. She watched Kelly similarly drop herself into a chair, sweaty and tired from a day spent moving, a day of manual labor. “I don’t want to do this anymore,” she whined.

Charlotte offered a grin of commiseration. “I know, me neither.” She moved a few steps closer, resting against the back of a chair.

“Then let’s call it quits and do something better.”

“Like what? As you can tell, I haven’t got much of anything.”

Kelly thought for a moment. “You got playing cards?”

“I think so,” Charlotte said. She knew damn well that she did, but she was playing it cool for no other reason than it was a habit turned instinct. It was irrational – there was no way Kelly would give a shit about how those cards came to be in Charlotte’s possession, or how seeing those cards made Charlotte’s dumb heart skip a beat even now, even though she was nearly 1,000 miles away.

Kelly’s face of thoughtful concentration broke into a youthful smile of excitement. “Well, shoot – I’ve got beer and some of them crisps. How’s ’bout you and me play us a few rounds of cards?”

“Sure,” Charlotte smiled. Kelly scurried back to her neighboring apartment to scrounge up some beer and some snacks, and Charlotte headed to her bedroom. At the foot of her bed, upon the creaky floor, sat a box labeled, “PERSONAL.” It had been the only box Charlotte had personally moved, had tucked discreetly in her car and carried hurriedly across the threshold of her new apartment, lest anyone should see and ask about the contents, most of which meant absolutely nothing to anyone except Charlotte (hence the label). It wasn’t filled with lingerie or vibrators or dirty pictures or anything like that. The contents only embarrassed Charlotte because of their innocence, because only a prude would cling to a random assortment of objects that reminded her of people who had long since removed themselves from her life, or had been removed for any number of offenses. The items in the box would mean nothing to a passerby and that embarrassed Charlotte, like there was something shameful and almost juvenile about being anything but obvious.

She squatted somewhat uncomfortably to delicately open the box, lovingly unfold the flaps so that she had complete access to some of her memories, so that the majority of the contents were visible. Charlotte only needed to scan the contents for a few seconds before she found the deck of cards, quaintly contained in cardboard, beaten up from a few years of handling. A smile splayed itself unabashedly upon her lips as she reached into the box the same way a heart surgeon would reach into her patient’s chest cavity. With the same kind of epic patience, she removed the playing cards from the box and began walking back to the kitchen. The youthful, exuberant smile quickly became nostalgic and sad.

The playing cards were white with silver, loopy hearts decorating their backs. The hearts were cute, sure, but there was nothing remarkable about their appearance. They were a treasured item for Charlotte only because of the way the cards came to be in her possession. A few years ago, Charlotte had fallen in love with a beautiful, brilliant, and broken man. As a result, she had developed a constant need to be around him, to be close to him, and so, she invited him everywhere.

One night, she invited him back to her hotel room after a work conference. She and her colleagues had all been drinking for quite some time, right up until the lights came up for last call. The beautiful, broken man had joined them at the bar, at Charlotte’s request, of course. Charlotte had always envied the sort of effortless grace that surrounded him, the way he could suddenly appear anywhere at anytime and be welcomed and accepted. When he strolled into the bar without fanfare or pomp and circumstance, without having attended any of the conference because of a prior commitment, Charlotte was breathless with awe. It was like something of a horribly cheesy and romantic movie made for network television; he could have been walking in slow motion beneath a burning spotlight towards a strategically placed wind machine. The fact that he was walking towards Charlotte smiling was wonderful and she was so happy she could burst apart. She never ever wanted her time with him to end, and her colleagues and friends didn’t want to stop drinking, so a select few decided to buy some beer and return to Charlotte’s room. She turned to her beautiful, broken man and invited him. He played it cool – he was always so goddamn cool – and didn’t really answer one way of the other. Even when they were walking back to the hotel, just across the street, he wouldn’t accept or outright reject the invitation. When he climbed into his car, a lump formed in Charlotte’s throat. She would let him go and hide her disappointment, try and play it cool, so her parting words asked that if he did come, to bring playing cards. He waved somewhat dismissively and drove away. The copious amounts of alcohol she had consumed kept Charlotte’s mood from dipping too low and she scampered back to the hotel among friends, arm in arm, with high spirits.

He sent her a text later saying he couldn’t find playing cards and was just going home. Charlotte sighed heavily and thought her best recourse was to just keep drinking.

About twenty minutes later, there was a booming knock at the hotel room door. It sounded particularly authoritative and Charlotte was worried it was the cops. Were they being too loud? Her one friend raced to the bathroom to hide while the other pressed herself further into the bed, as if the mattress could swallow her whole and conceal her. They had left Charlotte to answer the door and so she did, despite feeling suddenly and incredibly nauseous. She opened it and saw no one. No one was there.

She whipped her head to the right and gazed down an empty hallway.

Looking to the left revealed her beautiful, broken man. He was leaning against the hallway wall like some leading man from Hollywood. His arm was bent at the elbow so he had one hand behind his head and rested his weight against the wall through the point of that bent elbow. His right leg was crossed behind the left one and the toes were pointed down at the plush carpet. In his other hand, he twirled a pack of playing cards. He was smiling, quite pleased with himself and the effect it all had on Charlotte. There was certainly something gorgeous about him, something more than his appearance. His demeanor drove her wild – she would never able to pull off such an entrance, but he had.

And it had been for her. What more could a girl possibly ask for?

But nothing had come of it. He was with some woman with a checkered past and too much makeup. Charlotte’s grandma was worsening, and so she had left it all, run away. But she kept the playing cards to remind herself that for one night, she had gotten exactly what she had wanted, that she had been perfectly happy. The cards symbolized possibility – if it happened once, couldn’t it happen again?

 

On the point being to keep trying.

Published March 21, 2016 by mandileighbean

nevergiveup

“In the stories, though, it’s worth it. Always worth it to have tried, even if you fail, even if you fall like a meteor forever. Better to have flamed in the darkness, to have inspired others, to have lived, than to have sat in the darkness, cursing the people who borrowed, but did not return, your candle.”
– Neil Gaiman, The Man Who Forgot Ray Bradbury

I’ve come to the conclusion that I’m a terrible adult. It seems that I never fold laundry, I owe everyone money, I always forgot to check the mail, and I’m constantly drinking spoiled milk. On good days, I am able to convince myself that these minor defeats give me character and make me interesting; they give me something to write about.

And I keep trying, because that’s the point, right? The point is to keep trying.

My author page on Facebook has been experiencing more activity than usual, and I want to capitalize by composing a riveting, engaging blog post, but I’ve been lacking inspiration. I’ve also been lacking motivation. I haven’t written anything. I haven’t graded anything.

Last week was rough.

My twin sister returned to rehab a week ago today. I try to remind myself that relapse, whether or not anyone likes it, is a part of recovery. I force myself to consider the alternative, about where else she’d be if she wasn’t trying to get help. Neither scenario does much to lessen the disappointment, the frustration, the anger, or the sadness. It’s a gross, turbulent mess of emotions that I’m trying to compartmentalize and shrink so that they can be better processed and dealt with appropriately. But it’s hard; it’s so hard.

But I keep trying, because that’s the point, right? The point is to keep trying.

“Because, perhaps, if this works, they will remember him. All of them will remember him. His name will … become synonymous with … love. And my name will be forgotten. I am willing to pay that price ….”
– Neil Gaiman, The Man Who Forgot Ray Bradbury

That wasn’t entirely true, what I said earlier, about not having written anything. I’ve written some things, but nothing I’ve been thrilled with or necessarily proud of. I worry my writing – the themes, the characters, the dialogue – is repetitive. I worry I’ve written all of this before, and that might be because the object of my affection is every character I’ve ever written, is the epitome of every romantic fantasy I’ve ever had, and so it all comes back to him in one way or another. What’s especially troubling, and simultaneously amazing about being a writer, is that I invented this man before he appeared before me in the flesh (talk about a god complex, huh?). In college, before I had ever met this man, I started a novel and wrote, “He couldn’t watch her fawn over another man, couldn’t tell her how he felt because it was too late and he’d ruin it for her.” Swap the genders of the pronouns and I am my own prophet. It’s crazy; I said everything I should have said to him years before I met him. How depressing.

I wrote a poem, too.

I put the kettle on for tea
and pulled my leggings from the dryer
I hope there’s time for breakfast
before I go about setting the world on fire

Burning devastation – turn it all to heat and ash
There’s something freeing about going mad
To face the world with wild, reckless abandon
To give in, to be selfish, to be ignorant and bad

Consequences will come swift and sure
Rolling quickly like so many rocks downhill
But it could absolutely all be worth it
For the liberation that accompanies the kill

What does being so reserved get you,
maybe a curtsy and a smile?
None of the mystery, intrigue and danger
that can go along with being vile

But I don’t think I’d really go so dark. It’s easy to not consider anyone or anything else other than my own wants and desires, but that doesn’t make it right. It’s difficult to do what is right, at least sometimes.

But I keep trying, because that’s the point, right? The point is to keep trying.

On being the Duckie.

Published February 21, 2016 by mandileighbean

prettyinpink

I love 80’s culture; movies, music, fashion – all of it. I’m something like a girl anachronism, born 18 years too late. I should have come of age in that decade of magic, of decadence. It was the last era of wholesomeness (even despite the extravagance). Things really seemed possible then.

One of the greatest artistic – and yes, I used the word “artistic” – endeavors from that decade is the movie “Pretty in Pink.” I wrote a blog post two years ago about when I met Andrew McCarthy and was irrevocably charmed. He was intelligent, charismatic, and incredibly talented. Because of my undying affection for the actor, I can honestly say I’ve seen that film close to twenty times. One such time was Wednesday night, when a good friend and I traveled close to an hour to watch the movie on the big screen. The film was released for a brief second time to commemorate its 30th anniversary.

We knew the lines, we knew the plot, and we knew the music. What sense did it make to pay to see the film? One could argue it did not make any sense at all, but then again, I was shocked to see how many others had traveled to see a movie they’d already seen. I have always had a decidedly human problem of thinking my inclinations and hobbies are unique and singular and special. I’m proven wrong time and time again, but in frustratingly human fashion, I’m still always surprised when I realize my passions are shared.

At any rate, the film as was entertaining as ever, and there was something thrilling about seeing it on the big screen. I could imagine I hadn’t missed my favorite decade, that it was opening weekend and I was enjoying it all in real time for the first time. In danger of overdosing on nostalgia that was never really mine to begin with, my good friend leaned over and asked me if I ever had a “Duckie” while attending high school.

For those of you who may not know, Duckie is a character from the film. He’s hopelessly, shamelessly, desperately, and even embarrassingly devoted to his best friend, madly in love and utterly heartbroken over the unrequited nature of the relationship. He admits he would die for her, stands by and patiently suffers as she chases after another guy, and even lets her go so she can fulfill her wildest, romantic dreams while his remain unfulfilled. It may not be as traumatic and dramatic as all that, but forgive me; I have never had a Duckie.

I’ve always been Duckie.

I’ve always been the friend in the background, lingering and pining secretly – sometimes creepily – for a friend I never really had a chance with. I remember at one high school dance, I was asked by a mutual friend to break up with her boyfriend for her; a boy who was my close friend and whom I had been crushing on fairly seriously. Why I agreed to be the harbinger of such devastation I’ll never know. Maybe it was because I was eager for any excuse to talk to the boy, and maybe because such an episode could escalate and strengthen the friendship. I hope it was because I wanted him to hear it from me, a real friend, because I could soften the blow and handle the whole thing delicately, properly. Whatever the reason, I took a deep breath to steady myself, to prepare myself, and left the gymnasium. I stepped out of the double doors and into the bright hallway, blinking against the harsh fluorescent lights. I looked for my friend, and he wasn’t hard to find.

He had tried to hide himself on the far side of a short but wide trophy case, but his long legs stuck out. He was sitting on the gross floor with his back against the uncomfortable and random brick wall. He was opposite the refreshment table, but despite the flurry of activity, he was looking down at the dirty floor with a can of soda clutched in his hand. He was out there all alone and looking especially despondent, like he already knew what was coming. I breathed a small sigh of relief; my job would be easier. I walked over and sat beside him.

“Hey,” I said.

“Hey,” he said.

I figured it’d be best to just come out with it, do it fast like ripping off a band-aid. “Hannah wanted me to-”

“Yeah, I know,” he said. He cut me off, but didn’t say anything else. He took a swig from his can.

“Oh,” I said. I was slightly dismayed by the building, awkward silence. I looked down at my hands and tried to think of what else to say.

“You don’t have to sit out here with me,” he mumbled. He hadn’t made eye contact with me.

“I know I don’t have to. I want to,” I smiled. He looked up and returned the smile.

I don’t remember the rest of the conversation, but I remember we had a good time. So while being Duckie can be limiting and heartbreaking, it’s also pretty awesome because being a friend is awesome. Sometimes a friend is all a person needs.

Or at least that’s what I’ve been telling myself as of late.

 

 

On battling bullshit.

Published December 31, 2015 by mandileighbean

newyearnewme

It’s the end of another year. We’re all preparing for the onslaught of “new year, new you” messages and postings, and I know the majority think such verbiage is cliched bullshit. I was such a believer until I sat down to draft this blog post.

The endings and beginnings of life often prompt us to be introspective, and as a writer, I’m hopelessly narcissistic, so at this time of year, I do nothing but think about myself, talk about myself, and write about myself. I think we’re all allowed some selfish moments if they are to truly be reflective and endeavor us to be greater.

There are lots of things I hate about myself. One of the more depressing aspects of society is that we all can do this, and that we all have done it, and that we all will most likely continue to do it, and that is list our failings. My favorite kind of humor is of the self-deprecating kind, and my favorite kind of gathering is a pity party. I’m not revealing these less than appealing parts of myself to elicit sympathy or to begin to construct a false kind of humility to make my self seem more creatively eccentric. Hand to God, I’m just trying to let you know that I get it, that I understand, and that I’ve been there too. There are days where I absolutely and unequivocally hate myself.

But there are also days where I’m not so bad. There are days where I am downright awesome and a sheer pleasure to be around. In 2016, I am going to acknowledge more of those days. And in that same state of mind, I’d like to share my favorite thing about myself. What makes Mandi Bean worth anything is my childlike optimism. I could list all the disappointments of the past year, but I could also list all the times I’ve been pleasantly surprised, when I’ve fallen in love – yet again – with this spinning globe, with humanity, and with the endless opportunities for romance and adventure this crazy, miraculous life offers. As such, I am totally buying into the “new year, new me” bullshit. I will be a newer, happier, and healthier version of myself in 2016. Those who roll their eyes in derision and/or disbelief are free to do so; that’s their right. But as for me, with a smile and a deep breath and a pleasantly unfamiliar sense of determination, here is how I am going to make 2016 my banner year:

  1. I will, as mentioned previously, focus on the positives. Every day, I will find something to be grateful for and I will put it in writing, so I can’t lie to myself later.
  2. I aim to lose 60 pounds by December 31, 2016. I’m the maid of honor for my friend’s wedding, so there’s extrinsic motivation, but more importantly, I want to be beautiful. I want my outside to match my inside, and I’m pretty proud of what I’ve got going on in there.
  3. I am going to be a writer. I’ll update this blog faithfully, market my published work, work harder to get my second manuscript published, and seriously work on a third.

Three promises to myself. I can do this. I will do this. I will forgive myself when I stumble along the way, and I will encourage others endeavoring to become the best version of themselves.

Here’s to a happy, healthy New Year.

xoxo

newyear2016

On objections.

Published July 15, 2015 by mandileighbean

“Love is a book that never closes.”

I need to stop drinking spoiled milk.

A respected coworker of mine read the manuscript for Moody Blue and told me she enjoyed it, believed it had merit and promise. She readily commiserated with me about how every literary agent has been rejecting me. I received one such rejection in the mail yesterday, which makes it seem very official and makes it sting just a little more. Well, I think it was a rejection – just my query letter sent back to me in a self-addressed stamped envelope; feels a little like suicide. It’s an odd feeling to be rejected by one’s own hand.

WEEKLY WRITING PROMPT #25: “I think I survived pretty good, actually. You should see everybody else.”

“Though we cry, we must stay alive.”

canterbury-cathedral-stairs

Gerard was sitting on the last of the long, stone steps that led to the solid, impressive-looking double doors of the church. Blood from his mouth and nose stained the front of expensive button-down shirt. His mouth had finally stopped leaking crimson, but his nose was still dripping. He had been watching fat, scarlet droplets fall and explode onto the concrete between his feet, which were stuffed into shiny shoes. Carefully, he prodded at his swollen, bleeding nose. Gerard winced from the pain. He thought it might be broken and he nearly laughed aloud. That’d be perfect, just fucking perfect.

What a sight this poor devil made for the casual passerby; some unapologetic sinner cast away, nearly sprawled out on the cathedral steps, bruised and bloody. A humorless smile stretched his thin lips as he cautiously felt around his left eye, which was puffy. A black eye was rapidly appearing and though he probably deserved it, all of it, it didn’t make the sores better. If anything, it made it worse. He hugged his knees, bringing them close together, and rested his aching head upon them. He thought about what had happened, relived every aching, humiliating moment, just like he would from time to time for years after, until he gave his last breath. He lapsed into these deep thoughts and lost his surroundings.

“Holy shit.” The words were drawn out – each syllable was emphasized. The voice broke Gerard’s reverie, startled him to attention. He perked up and saw Frankie walking towards him across the parking lot. She was his best friend – only because she was his only friend – and she was smiling ruefully, like she was only moments away from gleefully shouting, “I told you so!” Gerard supposed he deserved that too, just like everything else. As Frankie neared, she stated the obvious. “You look terrible,” she said, seating herself beside Gerard, but two steps higher so her knees weren’t somewhere near her chin. She stretched out her legs, perfectly content to be where she was, perfectly content to blatantly ignore the dramatics and their consequences in favor of the sunshine. Gerard thought it indecent.

“I survived pretty good, actually. You should see everybody else.”

“Had to fight your way out of the church, huh?” Frankie asked, snorting laughter. “Makes sense.”

Gerard shut his eyes tight in a lame, cliched attempt to block everything out. He tilted his head back so the sun could shine against his face to perhaps calm and soothe him. In a tired voice, he said, “Look Frankie, I only called for a ride. I didn’t ask for-”

“For what? A lecture? Well, too fucking bad,” Frankie growled. “You told Ronnie you could handle it, promised her you wouldn’t make a scene. And what did you do, Gerard?” She was met with silence. After a few moments, Frankie roared, “Tell me what you did!”

“I objected!” Gerard fired back. His eyes shot open and he spun to face Frankie, aching, spinning head be damned. “I stood up and objected, just like in the movies! I waited until the priest asked, and then I jumped up and told the whole goddamn church and everyone in it that I still loved Ronnie!”

“Why?” Frankie asked. She was pushing it, but didn’t seem to care. She never did. “Why would you do that after -”

“Because I thought it would work, obviously!” It was Gerard’s turn to interrupt. “That was my plan the whole time!” He pointed an accusing finger towards Frankie. “And don’t you dare act like you didn’t know! Don’t play shocked and innocent with me, Frankie. If you really didn’t know, you wouldn’t have warned me against going.”

“I don’t know why I even bother,” Frankie said. She sounded disgusted, but she wasn’t yelling anymore. “I should just save my breath because you never listen.”

Gerard turned away, sheepish and ashamed. He looked down at his trembling hands, eyed the minor scrapes, defensive wounds. Truth be told though, he didn’t really fight back. How could he? He was wrong. Done fighting, he said, “You were right, Frankie. You told me so.” He took a second to compose himself, to try and keep his voice from cracking. “Can you please take me home?” He failed – the evident tremor in his voice roused compassion from Frankie. She squeezed his shoulder.

“Of course,” Frankie said. She got to her feet and moved to stand before Gerard. She offered her hands. He hesitated just a moment before accepting the offer. Frankie pulled him up into a standing position and as the moved to stand beside one another, Gerard slung his arm around Frankie’s shoulders. To help Gerard gain some stability, Frankie looped an arm around his waist. Together, they began wobbling towards Frankie’s car. Gerard squinted against the bright sunlight and licked the right corner of his lips. He could still taste blood.

“So,” Frankie began because if there was ever silence she would always be the one to break it, “who beat the hell out of you?”

Gerard smirked but hung his head. “Kevin,” he answered.

“That fits, since he’s the groom and all,” Frankie conceded. “But honestly, I had my money on Mr. Gates kicking you in the balls.”

“Ronnie’s dad? No way – that guy loves me.”

“Even now?” Frankie asked, skeptical.

Gerard considered. “Well, he didn’t exactly stop the villagers with the pitchforks, but I wouldn’t say he encouraged them either.”

Frankie snorted laughter. “So what now?”

Gerard sighed. “I don’t know,” he confessed.

On seeking salvation from loneliness.

Published June 30, 2015 by mandileighbean

I know I need to update this blog more than once a month. My writing is becoming stale; my literary muscle is in a state of atrophy due to lack of use. I have no excuse.

I wonder how many writers believed themselves to be prophetic. I don’t mean in the pretentious sense, but in a way that can be validated, where predictions are not obvious or bluntly stated, but hidden beneath authentic literary merit. I mean in the way where plot and reality align too much to be mere coincidence. This topic has piqued my interest as of late because the ending of my second novel Moody Blue – which has yet to find either a literary agent or publisher for representation – ends in nearly the exact same way the real life source of inspiration is ending. It knocked me on my ass, to be sure, and I’m sure this post, with its assertion that I’m some kind of prophet, that all of this is a way to make it romantically tragic instead of just melodramatic and sad. Rather than admit I was fooled and manipulated, it’s grander to say I knew someone so well that I saw what was coming and used it in my writing to heal the wounds. I suppose it was more like seeing the approach of headlights and stepping into the middle of the street anyway because a beautiful, brooding man is on the other side, smiling seductively. As I stepped into the road, I knew that I was never, ever going to reach my desired destination, that I’d end up alone and as so much carnage that others will drive over without much notice, but I did it anyway because that smile made me believe things were changing, and that I just might make it. That smile became an all-purpose excuse for all the stupid, selfish, asinine things I did.

“This is my least favorite life, the one where I am out of my mind. The one where you’re just out of reach. The one where I stay and you fly.” 

But I suppose I’ll be okay.  

“I’m never alone. I’m alone all the time.”

I lead a very lonely life. I used to be ashamed to admit it, but I once heard that some are meant to be happy, while others are mean to be great. Thus, my only means of survival, of staying both sane and optimistic, are believing that everything happens for a reason, and that this is my path, for better or for worse. I must entertain the possibility that where I am destined to end up may not be warm and bright with smiling faces. I might have to be cold and alone to be great, to fulfill my potential. Maybe all the tragedy I’ve spent romanticizing for so long is all mine to keep.

Hell, even Gatsby knew he could only climb alone.

Writing Prompt #23: The figure in a famous painting begins communicating with an art museum patron.

The museum was clearing out. The few presumably pretentious patrons were shuffling towards the exits in shiny, expensive shoes that reflected their pinched faces of their respective owners. They all looked so important, raising the collars of impressive and fashionable coats against the cold, sharp February winds raging outside. The ladies adjusted their gloves to better cover and protect their delicate wrists against the bitter cold, while the gentlemen held the doors open, allowing the ladies to pass through with strong and protective hands on the smalls of their backs. Once outside, facing the elements, these fine, cultured gentlemen enveloped their classy, educated ladies in their arms and together, the pairs scurried to remarkably expensive vehicles, a Lexus there, a Mercedes Benz here, and a few BMWs for good measure. It seemed that everyone at the art gallery was impossibly intelligent, filthy rich, and happily in love. They did not rage against the dying of the light as the sun’s last rays burned bright and fierce through the large picture windows that surrounded the art gallery. It seemed that all were perfectly content to go gentle into the good night because they were not alone. They loved and were loved, and that was all that mattered.

Or maybe that’s just how it seemed to Olivia because she was alone – single and bitter – on Valentine’s Day. After all, wasn’t there some saying about everything looking like a nail when one feels like a hammer?

It had been foolish to venture out into public on the absolute worst of manufactured holidays. Olivia knew her day would be one long and agonizing observation of all kinds of public displays of affection, ranging from sweet (the elderly man who did his best to straighten his fingers gnarled with arthritis only to entwine them with his wife’s as they rode the bus to the city) to obnoxious (the sweaty, nervous-looking man who coordinated a lame, disappointing flash mob as means of proposing to a doughy woman too stupid to know any better and readily accepted) to grotesque (the teenage couple mauling each other while waiting in line at the local coffee shop, covering themselves in each other’s DNA in the disgusting way that only adolescents can). Begrudgingly, Olivia would admit it was the masochist within her that encouraged and eventually convinced her to journey to the art gallery. Later, when the pain began to subside and she was safe in her home, in sweatpants with wine and Chinese food that had been delivered some time ago, she could realize that being surrounded by affection was a good thing, nearly tangible evidence of its existence, that it was real and could happen to anyone at any time; she only needed to be patient. But in all honesty, her reason for going to the art gallery was not so romantic or noble, but just desperate and obvious. She only went there because there was a chance – a good chance, a fighting chance – that Scott would be there.

He had taken her there on several occasions, holding doors open and bundling her against the cold.

That had ended some weeks ago, but Olivia was a fool, the worst kind of fool who believes chance encounters could be manufactured, who believes hope comes from an ever-replenished spring and who believes chances are unlimited. She had convinced herself that if Scott saw her again, he’d believe it was fate and he’d give her a few precious moments to make her case as to why they belonged together. Olivia flat-out refused to believe Scott could feel or think any way other than the way she wanted – needed? – him to and on her best days, she could claim a romantic optimism, but more often than not, she knew better. It was pathetic and desperate.

Olivia had arrived at the gallery upon opening. She made herself comfortable, draping her coat over her arms crossed casually over her chest and meandering through the aisles slowly, languidly, always thinking, thinking, thinking. She had purchased lunch in their adjoining cafe, unwilling to leave the premises because she knew with a supernatural certainty that the moment she did, Scott would arrive and her last chance would be blown. Olivia didn’t eat much, but thoroughly enjoyed the complimentary wine and cheese despite the glowering looks from the supervising employee who quickly realized Olivia was only loitering and taking more than her fair share. The employee was able to remain smug because he rightly assumed that Olivia was a fraud, a dopey woman who probably couldn’t name a single artists featured in the gallery’s collection, let alone the title of one of the masterpieces.

And that was all true; Olivia didn’t know anything about art. So there she was, alone in an art gallery five minutes before closing, standing before some oil painting with tears in her eyes. Scott had not appeared, had not wrapped her in his arms, had not made everything okay. “Oh my God,” she said to no one at all. “I am so, so stupid.” Her voice cracked, broke, and the tears began to fall freely. “He doesn’t miss me, does he?” she asked, but there was no one there to answer, especially not Scott.

The painting before Olivia was of a young man in riding clothes, posing in some wild-looking garden. He had dark features and a very serious expression. The painting was generic and unremarkable, and Olivia found it all so fitting. What better place for her to have an emotional breakdown than in front of a random painting? Only truly great women could sob before the Mona Lisa.

Olivia released a shuddering breath. “I loved him. I loved him very much, and I should have made sure he knew that.” She wiped at her nose. “I just tried so hard to be cool, to not cling to him, to finally be the one who wasn’t so obviously at the mercy of the other person in the relationship. I wanted power and control more than I wanted him.” She sobbed. “But that was wrong, and I was wrong. I guess he mistook all that for indifference, thought I didn’t care, and now he’s gone.” She rubbed her eyes, smearing mascara and eyeliner without so much as a passing thought to her appearance. “I just wanted things to work out this time, this one time. I wanted it to be different. But here I am!” she exclaimed, clapping her hands before her and allowing her coat to fall to the marble floor. Her tone was now cold, sarcastic. “I’m alone on Valentine’s Day and I’ll probably die this way.” Ashamed and suddenly overwhelmed by self-pity, Olivia covered her face with her hands. She cried against her palms, unintelligibly begging for some divine intervention, for salvation from loneliness. She cursed Scott and his new girlfriend (which Olivia assumed he must have – what else kept someone busy on Valentine’s Day?) and then cursed herself for cursing Scott, for being petty and stupid. She berated herself into some state of composure, then allowed her hands to fall to her sides. Once more, she faced the painting.

A guttural scream exploded from her lips and reverberated back to her from the empty aisles as a terrifying sound, so Olivia knew she had to make it stop lest she scared anyone else. She clasped her hands over her mouth and stared with wide, petrified eyes at the painting that had changed, that had most certainly changed, that had definitely changed. The young man featured front and center had turned, had somehow shifted to directly face Olivia. His expression had drastically softened, like he was sympathetic to her pathetic whimpering. In his right hand was a dark red rose. Olivia could easily and readily identify which bush it had come from.

Olivia looked about wildly, curious if her outburst had attracted any attention at all. No one appeared to be rushing over. There were no strangers nearby to validate the impossible event she had just witnessed. Should she call someone over? Would she be believed? Would anyone else see what she was seeing? She returned her gaze to the painting.

Olivia thought she was going to vomit and then pass out, simply keel over. The painting had changed again.

The young man was smiling kindly, very kindly, in a way that almost calmed Olivia, who was on the verge of becoming hysterical. His arms were spread wide, as if he were offering her something. Guided by an unfamiliar instinct, Olivia looked at the floor beneath the painting. There lay the dark red rose the young man had been holding.

Slowly, breathing deeply, Olivia bent to retrieve the rose. The stem was covered in thorns, real enough that Olivia pricked her pointer finger and it began to bleed. The petals were soft and the fragrance was strong. It made Olivia smile. In spite of the lunacy, the sheer insanity of it all, Olivia smiled. She looked to the young man in the painting to thank him, but the expression of gratitude died on her lips. The painting was as it was before, as it should be. Olivia gasped. It was so bizarre that she was transfixed, unable to look away. She reached out her free hands, the one not holding the rose, to touch the painting, to ascertain if it was real, or if there might be some technological trickery at work.

A throat cleared itself behind her.

Nearly screaming aloud again, Olivia wheeled around to find the employee who had been so stingy with the wine and cheese standing behind her. “Ma’am, don’t touch the paintings,” he instructed in a bored tone of voice. “Also, we’re closing now. You’re going to have to leave.”

“Oh, oh, okay,” Olivia mumbled, pale and confused. The employee, seemingly oblivious to Olivia’s distress, turned away. He trotted down the hall, and Olivia scooped up her coat, careful not to lay eyes on the painting in case it changed again, in which chase she would have a heart attack and die. She hurried to the exit, but not before she mumbled a hurried and terribly confused, “thank you.”

The young man in the painting smiled but there was no one there to see it.

hc single valentine's day

On talking to the dead.

Published April 14, 2015 by mandileighbean

Friday, April 10, 2015 marked 90 years since the publication of The Great Gatsby by F. Scott Fitzgerald, the novel that essentially changed my life by confirming the kind of woman – the kind of human being – I wanted to be.

I couldn’t let such an occasion, such an anniversary; pass without some kind of commemoration.

So I drove three hours and 40 minutes to St. Mary’s Catholic Church in Rockville, Maryland.  I drove down I-95, which I have become so accustomed to that traversing that interstate is painfully boring.  I had my iPod blaring, but my mind was essentially blank, other than lingering upon the object of my affection and then Gatsby and then back again.  The object of my affection tried countless times to convince me of similarities between him and Jay Gatsby, of which there are admittedly a few.  We sent each other text messages late into the night while watching the film adaptation of the novel, discussing themes and characterization and life.  I only knew the novel was published on April 10th because of this man.  Gatsby was (is?) our thing.  So now, perhaps unfortunately, the fictional world of Jay Gatsby and my first heartbreak are inextricably linked forever and ever, amen.

Maybe that realization, that my favorite book is forever tainted by the inevitable disappointment of romance, made me somber and weird inside, but I was certainly reserved as I pulled into the church’s parking lot.  I parked in the further possible spot, closer to the adjacent school than the actual cemetery, but did so for no discernible reason.  In hindsight, I supposed I wanted to be ignored and inconspicuous, didn’t want to be a nuisance of any kind.  That notion seems laughable though, especially when I consider how absurd I must have looked, emerging from a piece of shit car – part of my front bumper is missing – in a fancy black dress too elegant and too formal for the impromptu graveside visit, with a fancy black coat that made me sweat but offered respite from the persistent mist.  I was alone, as always, and walking around aimlessly.  I’m sure I looked out of place and had anyone been around, I’m sure they would have chalked me up to some kind of weirdo.  To be fair, I guess that’s exactly what I am.

The entrance to the cemetery is across from a sign that reads, “BEAN BLVD.”  That cannot be coincidence; I don’t care what kind of logic is thrown at me.

I saw a gate, but it was small and unremarkable, so I assumed there must be a main gate somewhere, adorned with ironwork and a plaque or a sign – something.  Looking around furtively, worried I might just be trespassing, I followed the low, wrought iron fence around the perimeter of the cemetery but found no other entrance.  I traced my way back, which maybe took all of two minutes as the cemetery is rather small, to that first gate.  The latch, with its peeling paint, was worn enough to almost be rendered ineffective.  I considered it a particularly cruel kind of irony that this humble, rather shabby cemetery serves as the final resting place of the man who imagined Gatsby and the extravagant, opulent world in which that character existed.  I sighed and opened the gate, gingerly lifting the decrepit latch and gently shutting the gate behind me.

The grave was incredibly easy to find, partly because the cemetery is so small and partly because his marker is so large.  It’s off to the right of the short, winding path that just ends through the tiny, enclosed area.  I followed it, careful not to tread on the hallowed ground of those resting eternally, but had to leave the path eventually.  My heels sank into the soggy ground and I berated myself for my inconvenient melodramatics.  But then I faced Fitzgerald’s grave.

It’s a simple headstone.  It has his name, the years in which he lived and breathed and made the literary world a far better place.  His wife’s name is below, as are her years of existence.  Perpendicular and impressive is a stone slab that bears the last lines of Fitzgerald’s masterpiece, the work that is often considered the great American novel.

“So we beat on, boats against the current, borne back ceaselessly into the past.”

I was the only one mourning and paying homage to a brilliant and destructive man, but I hadn’t been the only one.  There was evidence of other grievers.  There was a bloated, yellowed with the age, rain-soaked paperback copy of The Great Gatsby.  I leaned close and found it was open to pages 116 and 117, where Nick warns Jay that the past cannot be repeated, but Jay is deaf and insistent.  “Can’t repeat the past?  Why, of course you can.  Of course you can.”

There was a sodden bouquet of roses, decimated by the rain, soaked and scattered, looking especially tragic and mournful.  Perhaps the passage and gray skies and the cemetery added to that impression.

There were many pens, an obvious but touching nonetheless tribute to an insanely talented author.

There were many pennies, what I mistakenly assumed was an Irish tradition until I took to Google.  Coins are left on graves for many reasons, but there are three reasons that appear to be the most common.  One reason dates back to Greek mythology, and coins are left as payment for the ferryman that transported souls across the river Styx.  The second is related to the military and dictates that leaving certain coins is evidence of a particular relationship.  For example, pennies are left by any living soldier visiting a veteran’s grave while nickels are left only by those who attended boot camp with the deceased.  The third reason is to simply leave evidence that one visited and was there.  How narcissistic is that, having to leave proof of our existence at the proof of another’s existence?

My favorite token was a small bottle of Jack Daniels whiskey with an accompanying shot glass.  Next year when I make the trip, I plan on bringing daisies – though I despise the fictional Daisy Buchanan I completely understand what it is she represents, as despicable as it is – and a bottle of gin or some other antiquated kind of alcohol.  I plan on having some shots and hanging out for a decent amount of time, telling Fitzgerald how much I admire him, how much many admire him, and that I hope heaven allows for him to see how important he has become.

Much like the title character of his greatest literary achievement, Fitzgerald died alone and in obscurity.  Apparently the priest who presided over his funeral services did not even know who Fitzgerald was.  Fitzgerald considered himself a failure, and drank himself to death, falling dead in the apartment of his girlfriend, some tabloid reporter that he may have shacked up with to aid his dwindling screenwriting career in cruel, unforgiving Hollywood.

I devoured Gatsby when I was fourteen years old.  I have read it at least once a year since, and have convinced myself that I am Gatsby.  And as I stood at Fitzgerald’s grave, pondering the possible autobiographical content of his greatest novel, I realized that therein lies the magic of the novel; we are all Gatsby.  We all want too much and at times, we can want to reclaim some version of our former selves, tirelessly and obsessively chasing after some enchanted object that we think will fix everything.  We are continuously disappointed, but we keep right on chasing, reaching in everlasting desperation.

I thought Philip Roth had it right, that the real human tragedy is that we are all woefully unprepared for tragedy.  Now I think Fitzgerald was right, that the real human tragedy is that we are never satisfied.  We want too much.

I said a few prayers, thanked him, and empathized with the dead author.  I explained that I was a writer and that I feared my talent – if I may be so arrogant in insisting that I have some – would go undiscovered.  I told him I was afraid of dying alone, of having absolutely no one to mourn at my graveside, let alone any fans.  I delicately turned the pages of the soaked novel, carefully turning pages made nearly transparent by the rain and other elements.  I turned to the part where Nick pays Gatsby the sole compliment of their friendship, when he tells Gatsby that Daisy and Tom and Jordan are a rotten crowd, and that Gatsby is worth the whole damn bunch put together.  Nick is glad he said that, even though he disapproved of Gatsby from the beginning to the end.  It is a beautiful sort of sentiment, and I wondered if Fitzgerald, like Gatsby, had a friend in the end who got someone for him.  I softly kissed my fingertips and let them trail along the cold stone as I began the brief walk out of the cemetery, back to my piece of shit car, parked suspiciously outside the adjacent Catholic school like some kind of inappropriate joke made in poor taste.

I drove back home, traveling for four hours, stopping to eat at McDonald’s and then almost immediately wanting to die as the food upset my stomach terribly.

Despite the bizarre and spontaneous nature of the trip, the irritating traffic and uncomfortable way the greasy, cheap food sank in my stomach, the trip was inspiring.  I began to develop an idea for a third novel.

And it’s all thanks to F. Scott Fitzgerald.  So I will return again and again to give thanks and pay homage because he communicated universal truths without restraint.  He was unashamedly who he was, embracing his genius and his insecurities and his worth and his faults all simultaneously.  Fitzgerald was wonderfully and beautifully human and wrote to be inclusive, to help everyone understand that we are all guilty, that we are all beautiful and deserving of love, that we can all be great.  We all reach out, trembling, for the green light.

And it’s okay.

fitzgrave

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