It has been a week since the last time I wrote anything substantial, and I am incredibly pleased to say it is because I have been busy, and not just with work and other ordinary, expected responsibilities. As of late, I have been noticing more and more that an important and integral part of being a writer is striking a healthy balance between living and working, especially because the two are inextricably linked. That symbiotic relationship can prove to be a vicious kind of cycle if that healthy balance is not struck. Writing, at its heart, is a terribly lonely profession. When a writer is hunched over a keyboard or a notebook, fervently typing or scribbling, that writer is utterly alone. He has created a world he can only enter until the work is complete and, if he is any good at what he does, becomes accessible to readers. The process varies in time and intensity, but no one can argue that writing is not time consuming. And writers write what they know, meaning that life experiences serve as inspiration and fodder for creation. Time must be spent away from the writing desk among others, being social and being daring. But then time must be spent recording and manipulating these observations and events into art. Both exercises must be constantly, consistently, and congruently adhered to. This past week I’ve been away from my desk and consequently, I firmly believe I’ve learned quite a bit.
WEEKLY WRITING PROMPT #10: “The owner of a puppet theater goes on a crime spree with an inanimate accomplice.”
Charles sat in the back of the police car with his knees rammed up against the divider. There wasn’t much room and he was terribly uncomfortable. He realized this should have been expected, but then again, he honestly had not believed he’d be caught. Charles had assumed that when the call came over the radio that a man with a dummy had robbed four banks in four hours, the attentive officers would laugh, shake their heads, and tell a joke or two at the rookie dispatcher’s expense. What else could a story like that be other than good-natured, old-fashioned hazing? Charles figured the disbelief and incredulity would buy him time and by the time a squad car reluctantly arrived on scene to assess the comedic situation, he’d be long gone with enough money to live comfortably for quite a while. Unfortunately, poor Charles had been wrong, just as he had been wrong about so many other things in his life. The cool, metallic cuffs suddenly felt tighter against his thin wrists, and they were pointedly digging into his lower back, so he leaned forward for relief. Charles was only afforded a few inches and the new posturing only served to complete the appearance of complete and utter defeat.
The rear door on the opposite side of the car clicked open and a jovial-sounded cop carelessly threw Buster in beside Charles, and then slammed the door shut again. Buster was splayed out and resembled a chalk outline, the accomplice made victim. His left arm stretched out and over his head towards Charles, as if he were asking for assistance in shallow gasps as the air or blood rushed out. His other arm lay uselessly by his side, and his legs were twisted around themselves. What bothered Charles the most about Buster’s inadvertent positioning were the eyes. Painted on, they were soulless and only stared. Currently, they were staring up at Charles and the manufactured grin, meant to be welcoming and disarming and friendly, looked cruel and like it lacked compassion. The dummy lacked all empathy and sympathy, and his cold eyes were locked on Charles.
Charles hadn’t meant for Buster to get wrapped up in any of this. When the bookings stopped – hell, had they ever really started? – and the savings dried up, Charles knew he and Buster were in for a rough patch. But when Myrtle had kicked them to the curb, hollering something about Charles needing a real job and always picking a wooden boy over her, Charles finally grasped just how desperate his situation was. Walking the rain-dampened pavement in the twilight, with Buster cradled carefully in his arms, Charles knew he needed a fresh start. It would be best if he was somewhere else, where his art would be appreciated, where ventriloquists were in high demand and often admired.
Charles needed to get to Las Vegas. Charles also needed money. He had no way of doing that; his mother had cut him off and Myrtle had very recently done the same. He might catch a gig in the next month, but that time frame wouldn’t cut it. He needed dollars fast. Hence the robberies with a fake gun Buster had as a prop for when they did their cowboy and Indian routine, which upon reflection, Charles realized was incredibly dated and most likely not funny. Well, he certainly had all the material he could handle now, didn’t he?
The other day, when I was driving home from Sussex, I saw a squirrel dash across the Garden State Parkway – across five lanes of speeding traffic – to the other side. He scurried amongst leaves and shrubs safely and smile spread across my face. I wish I had that kind of daring and tenacity.
Sometimes, in the morning when I am driving to the high school, I scan through the radio stations. Inevitably, the dial lands on Bible Thumper radio, which features men who sound impossibly old, who gasp out sermons of fire and brimstone, demanding that we all repent. I like to leave the station on for a minute or two because I like the eeriness that fills the front of my car. The streets are usually deserted, my dying, dim headlights lighting on nothing but pavement and painted white lines. The change that lies discarded in one of two cup holders and clangs irritatingly around in the space as I drive is the only other sound. It is not comforting; it is unsettling, but I enjoy it all the time. I suppose that makes me weird.
More and more, I am realizing that the more things change, the more they truly do stay the same. My belief – or faith? – in a common human thread is affirmed on a daily basis. Human beings may age physically; hair may grey, joints may weaken, and lines may form, but emotionally, they can be as childish and as whimsical and romantic at seventeen as they can be at ninety-seven. That knowledge, that possibility, gives me hope and makes me smile time and time again.
Lately, I am becoming more and more obsessed with romance. I worry that this could be dangerous; dangerous to myself, to those around me, and to my writing endeavors. To make this obsession more of a contagious disease, enjoy the following passages from Jane Eyre by Charlotte Bronte. Also, please note that I have booked a hotel room for Salem, Massachusetts. At least I make good on some promises.
“’Because,’ he said, ‘I sometimes have a queer feeling with regard to you—especially when you are near to me, as now: it is as if I had a string somewhere under my left ribs, tightly and inextricably knotted to a similar string situated in the corresponding quarter of your little frame. And if that boisterous Channel, and two hundred miles or so of land, come broad between us, I am afraid that cord of communion will be snapped; and then I’ve a nervous notion I should take to bleeding inwardly. As for you—you’d forget me.’”
“’I tell you I must go!’ I retorted, roused to something like passion. ‘Do you think I can stay to become nothing to you? Do you think I am an automaton?—a machine without feelings? and can bear to have my morsel of bread snatched from my lips, and my drop of living water dashed from my cup? Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong!—I have as much soul as you—and full as much heart! And if God had gifted me with some beauty and much wealth, I should have made it as hard for you to leave me, as it is now for me to leave you. I am not talking to you now through the medium of custom, conventionalities, nor even of mortal flesh: it is my spirit that addresses your spirit; just as if both had passed through the grave, and we stood at God’s feet, equal—as we are!”